Designer Sarah Barnard on Why Empathy Is Central to Her Work

Article by Gwendolyn Purdom, originally featured Houzz.

Growing up with historic preservationist parents, Sarah Barnard got her introduction to architecture and home design at a young age.

“I grew up in historic homes, and my father was restoring furniture and light fixtures and stair railings and you name it,” the Los Angeles interior designer says. “Certainly, as things progressed in life, I think his talents became mine.”

The experience also shaped the way Barnard now approaches her work as the principal designer at Sarah Barnard Design — a firm built on sustainable, wellness-focused and otherwise mindful practices. (Barnard is a WELL accredited professional, a Building Biology practitioner and a LEED accredited professional.)

“Reducing, reusing, recycling — these types of things were not novel concepts,” Barnard says. “Being sensible and responsible in our choices and in our material specifications is something that’s always been a part of my life and definitely influences the way that I work.”

Barnard, who has been using Houzz to share project photos and to connect with fellow professionals on Pro-to-Pro discussion boards almost since the platform launched, has been seeing more and more clients, parents particularly, looking at their homes through a more thoughtful, holistic lens. Beyond being environmentally conscious, Barnard’s home design projects revolve around creating spaces that are personalized to support mental and physical health and happiness.

“If we all could be so lucky to exist in a space that is uniquely ours,” Barnard says. “There really is no happier environment than a space that is specially made for you.”

PHOTO BY: CHAS METIVIER

Q. You specialize in wellness design, sustainable design, and other mindful design practices. Why did you choose to make those specialties central to your work?

A. Empathy is really the foundation of our studio’s practice. Being able to meet our clients where they are and create environments that support them in living their best lives is really the heart of what we do.

My two primary credentials are LEED AP [accredited professional] and Well AP. LEED focuses more on environmental responsibility. WELL is focused more on human health. Those two things, along with historic preservation, really are the key focuses of my practice.

PHOTO BY: STEVEN DEWALL

That said, the personalization piece is really where it’s at in terms of being able to adapt to a broad range of situations. Sometimes that is a client who is seeking a vegan or perhaps a sustainable and vegan environment.

Other times it might be something that’s more of a specific family need, like a child with developmental differences or a person who has 13 cats. Any personalized need that could be better accommodated through home design is something that we’re keen to help with.

PHOTO BY: STEVEN DEWALL

Q. How do you work around challenges those specialties may present?
A. There are always limitations, and one thing we learn as design students and we practice throughout life is that limitations really drive design. With a big, broad, open scope the outcome could be anything, but the more limitations the project has to endure, the more specific the outcome.

An example of that is that we have a client who utilizes a prosthetic leg, and of course, this is something that is integral to her day-to-day function but not something that she would like to draw attention to. In the process of designing her home, it was disclosed at some point that she didn’t want certain types of textiles that would make it difficult for her to get up or get down. Something that might be more slippery, for example.

So, something that we may not have been aware of at the start of the project — once we’re armed with the information of what specific textures are going to be safest for her, then we can proceed accordingly in recommending those well-matched solutions.

PHOTO BY: STEVEN DEWALL

Q. Where do you find inspiration?
A. On a personal level, I’m definitely very much connected to the natural world. For me, that means spending time in my garden, doing a heck of a lot of birdwatching, really being tuned in to the small daily differences — like what the birds are doing, what the plants are doing, what the caterpillars are doing.

Being in touch with what’s going on in the natural world is a really important way for me to stay grounded in my professional life. Those textures, colors, patterns, things that I experience in the outdoors definitely drive the solutions that I create indoors.

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

Q. What has been your most memorable client request? You worked with someone with 13 cats?
A. Yes. We made a special screened porch for the cats so that they could enter and exit the house safely without being eaten by a coyote or disturbing the neighborhood bird population. They were able to bask in the sun and live their happy lives safely and in a way that made the homeowner pleased.

I think perhaps the most fun request we’ve had in the last few years was that a young couple in the entertainment industry wanted an adult sleepover room. It was a very large space that would essentially have multi-functions for hosting parties, but the sofas would be modular and movable so that they could be reconfigured as king-sized beds. And if the party got late and movie-watching turned to sleep, 10 or more couples could camp in this room.

PHOTO BY: STEVEN DEWALL

Q. Is there one particular project that changed your business in some way?

A. In my late 20s, I had the opportunity to design the West Coast offices for National Geographic Entertainment. And that certainly was an important project for us, because it was not only aesthetically in our dream wheelhouse, but it also was a client that more than ever before really was in alignment with our values and the things that we think are important. That definitely was a fantastic experience.

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer to pros who want to make their practice more sustainable or mindful?

A. The most critical skill in mindful design is listening — creating a space in which the client feels comfortable to share, and then really listening and asking follow-up questions, many of them, prior to offering any solutions. Probably the most common rookie designer mistake I see is, designers, want to view a space and immediately make recommendations. And in doing that they would have missed the most critical element of the space, which is the user.

PHOTO BY: STEVEN DEWALL

Q. What particular challenges is the interior design industry facing?
A. Interior designers have always had a singular challenge, which we will probably face for decades to come, and that is that many homeowners don’t actually understand what we do. Because of this sort of lack of education in the homeowner, they may misunderstand our services to be shopping. They may misunderstand our services to be a number of things that are not actually what interior design practice is fundamentally about. And because of this misinformation, I think designers may struggle to communicate their value to a person who perhaps hasn’t worked with a designer before or isn’t familiar with all the benefits a professional can bring to a project.

Because I have been in the game most of my adult life, I am fortunate to be approached regularly by clients who are knowledgeable, who do value what my team has to offer. I think in the rare occurrence where we’ve worked with a client who struggles to understand the process, we just remain patient and explain to whatever length necessary so that they can understand what is happening and why.

A great example of that would be, I had a client once and he said he didn’t need measuring; he just needed furniture. That’s an example of someone who just doesn’t understand the steps of the process. Being patient with him and explaining to him why measuring is critical to the process allowed him to remain in support of the work that we were doing and understand what we were delivering and why.

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer other pros on making their own design specialties stand out?
A. It’s like the advice that our moms all gave us as children, but it’s critical to be yourself — thinking about what’s really important to you and what are the things that you really, really are passionate about and being more a part of those things.

For example, for me, it’s nature and birds and that’s my truth. It’s easy for me to talk about nature and birds because that is my real life. It’s much more difficult to try to follow the trends of others and latch on to boho-chic or whatever is the latest thing. Because if the latest thing is not your thing, it’s never going to be authentic anyway.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

“Scandifornian” design goes coastal

Scandinavia and California don’t have much in common (the weather, for starters) but when it comes to home design, these two regions have strikingly similar taste. This is exemplified through the use of neutral color palettes, natural fibers, sustainably-sourced wood, and intentional accessories in both decorating styles. 

Interior designer Sarah Barnard recently renovated a 3,600-square-foot family home, not far from the bluffs that overlook the Pacific Ocean. Although the home was originally constructed in 1949, its revamped aesthetic is best described as ‘Scandifornian.’

The beachy blue and white exterior hints at what’s to come once you step inside. Distressed red brick forms a path to the entryway, which is framed by carved wood corbels that are original to the house. The foyer alcove includes a live edge wood table and a curated collection of seashells and minerals, blending organic elements with simple, clean lines.

Featuring handmade, live edge tables made by a local artisan.

But what instantly captures your attention is the light-drenched living room, featuring a vaulted ceiling with exposed wood beams. “The original bones of the house were excellent,” explains Sarah. A custom concrete fireplace designed by Sarah runs nearly the entire length of the wall. It’s boxy, modern shape is tempered by irregularly etched lines that “mimic the movement of the nearby sea.” 

The lightly-finished hardwood flooring, all natural, non-toxic sofa, shaggy wool floor cushion and wheel-thrown ceramics exude laid-back, Scandifornia style. Here, the aesthetic is minimal, but never cold or uninviting. Taking a seat on the floor is encouraged and each decorative object or family photo has a story behind it. 

A fine artist herself, Sarah collaborated with a trusted woodworker to create the living room wall sconces, carved from American Walnut. “The organic forms and natural finishes match perfectly with the coastal ambiance of the space,” notes Sarah. 

To build these custom creations, Sarah delivered sketches and sculptural models to the woodworker to convey her ideas. The prototype was referenced throughout the fabrication process to ensure accuracy, resulting in one-of-a-kind fixtures that serve as functional works of art. 

Natural dining chairs by the Cherner Chair Company have a slim silhouette.

The dining room was “designed to feel soft and light,” with a neutral color palette, elongated dining table, natural dining chairs and a chandelier that appears to be floating in mid-air. The fireplace surround is yet another of Sarah’s custom designs. “I chose tile glazed in brilliant blue to create an updated linear pattern neatly framed by a custom concrete mantle,” she adds.

Sarah once again worked alongside a local artisan to produce the orb-like sconces that brighten up the space. “I often take formal inspiration from the home's location and reinterpret that within the space,” explains Sarah, who used the home’s coastal locale as the jumping off point. She handcrafted a number of small ceramic prototypes for the client to review before agreeing on the current iteration.

The kitchen expertly combines old and new. “There is an exposed brick fireplace that remains a decorative element in the new kitchen,” says Sarah. “We wrestled with the idea of preserving or upgrading the original red brick. We collectively decided to keep it — in the kitchen only — as a homage to the architect’s original intent.” The light blue cabinet doors feature subtle detailing and the quartz countertops are flecked with real seashells. The office nook is the perfect spot to search for a new recipe or respond to emails, while the adjacent pantry offers plenty of storage and a stainless steel French-door refrigerator.

The ground floor is rounded out by a serene guest bathroom with a custom floating vanity, matching wood-framed mirror, and a vessel sink that sits atop an onyx countertop. Although the space consists of mostly hard surfaces, it is warmed up through the use of light wood tones, soft lighting and texture-rich pebble flooring. 

A handmade table by a local artisan anchors the space between the living room and dining room.

The California and Scandinavian home decorating styles share many of the same values, most notably an appreciation of natural beauty and fine craftsmanship. Throughout this project, Sarah worked side-by-side with local artisans and craftspeople to realize her custom furnishings and lighting designs. “Unique handmade objects bring authenticity and personalization to a home,” says Sarah. The finished product masterfully combines coastal California influences with the simplistic forms and function of Scandinavian home design.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall and Chas Metivier

Artistic Spaces: California Interior Design Style

The earliest and most prominent role for art was the decoration of spaces and is still an everyday use for art. This is because its character and appearance profoundly influence our perception of a room. Very few of us would enjoy living and working in spaces devoid of decoration, no matter how nice the architecture. But despite the ubiquity of art in the areas that we inhabit, we are not always aware of its presence even as we are affected by it.

Some think, “To create a point of interest, merely hanging some wall art”. But frequently, the layout of a space is more comprehensive than we can immediately appreciate and can feature strategies other than simple ornamentation. The array of methods to integrate art into home design is more diverse than a viewer likely realizes, and extends well beyond a well placed potted plant. The design of the room can be the art itself.

The ocean view penthouse features artwork by Susan Hannon. In this room, a pair of handcrafted paper wings adorns the light sandy walls. They were designed to integrate in a precise way. Although similar in color, the wings emerge from the wall by their texture and the shadows that fall from their form. At a distance, this type of interruption on an otherwise smooth surface can be reminiscent of the impressionable shores of a beach, while the shape itself alludes to the lightness of flight and open spaces. This design approach is specific to the unit, a top floor penthouse with unobstructed views of the beach. Deeper connotations remain appropriate to the context. The wings, made of antique bible pages, allude to the story of Icarus and provide a clear parallel to the manufactured ascent afforded by the top floor in a modern building. It transforms the air in the space into a theme of the room. Even though these elements are not at once apparent, the careful coordination of artwork to an area can produce a powerful effect.

The artwork featured in the living room space of the Cosmopolitan Craftsman relates to the space more subtle ways. In the far right corner hangs a piece that is sourced directly from nature. It is a petrified fish slab, and its addition to the room acts as both an object of interest and an emphasis of the room’s color palette and cozy earthen aesthetic. Unlike the wings of the Penthouse, its presence does not directly influence the room but reinforces the design and feel of the space. The fireplace design is a less apparent artistic piece because it also serves a functional purpose. But beneath the umbrella of interior design, all elements in a space are united to convey a single theme or effect, and all objects in the room considered to be art. Interior design exists as a combination and balance of functionality and beauty. Like a painting or sculpture, a well-coordinated space can evoke from its viewer specific emotions and moods.

While the ocean view penthouse and the Cosmopolitan Craftsman utilize artwork to emphasize certain elements of design, the Landmark Bungalow dining room is utilized as a display for an eclectic collection of artwork. The large wooden cabinet serves as a showcase for various art pieces collected by the owner in his travels. The bust by Deborah Cansler Waters overlooks the vintage dining table. These elements were arranged to support the room's primary function as an area for people to gather, eat, and converse. The artwork provides context and stories for guests as it brings them and the space together in harmony. The vibrant blue painting on the far right by Lori Dorn compliments the effect.

It’s exciting to realize the rooms themselves can be art. Objects and spaces can serve a dual purpose, at once functional, and yet organized under ideas that are artistic rather than practical. An appreciation of the work of the interior designer leads to the satisfaction of the spaces we navigate daily, areas that constitute our context and contribute to our emotional state. Understanding that the feelings we have in a room are not accidental will lead to a greater appreciation of intelligent interior design.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.