Cosmopolitcal Design: A New Modality Harnesses the Connection between Home and Nature

With global society and climate in flux, mapping out new ways to live and create in the world has become an essential project. Amid the competing approaches to this transformation, the philosophical school of cosmopolitics, as its name suggests, addresses this challenge in a uniquely holistic way and presents an entirely new perspective on the human relationship with the world.

Albena Yaneva, in her introduction to What is Cosmopolitical Design?: Design, Nature, and the Built Environment, explains that “Cosmopolitical thinkers...see nature as no longer being unified enough to provide a stabilizing pattern for the experience of humans; it is not ‘out there,’ a simple backdrop for human activities.” Cosmopolitics distinguishes itself from cosmopolitanism by positing a relationship with nature and its non-human denizens defined by cohabitation rather than dominance. As Yaneva writes, “These thinkers abandon the modernist idea of nature as being external to the human experience—a nature that can be mastered by engineers and scientists from outside.” 

How does this cosmopolitical perspective manifest in the world of home design? To Yaneva, “It challenges design...to encourage the enactment of new relationships both within and potentially outside the designed space.” Cosmopolitical home design is deeply tied to its locality and integrated with its environment. Yaneva describes cosmopolitical design as “required more than ever to address the primordial question of what it means to live together. That is, the co-existence of humans and non-humans, of how they share space and find ways to live together in peace.”

Because the cosmopolitical way of thinking is so all-encompassing, the approaches to incorporating cosmopolitics into home design are fittingly varied and can be scaled to projects as vast as urban planning or as circumscribed as landscaping a backyard. Manifestations of cosmopolitical home design can range from home renovation with the local climate in mind (for example, placing windows for optimal warmth or cooling of interior spaces) to pollinator-friendly gardens teeming with plants indigenous to their region.

To interior designer Sarah Barnard, WELL AP + LEED AP, bringing cosmopolitics into her home design practice means cultivating spaces that are specific both to her clients and as well as to the local environment and that encourage an accord with the natural world. Sarah says, “Finding ways to harmonize the design of a space to a specific environment instead of working against it is both challenging and rewarding. When a designed space and its greater environment are fully integrated, the effect is almost easier to feel than observe.”

Sarah explains, “I always look for opportunities to create inviting connections between the indoors and the outdoors. This continuity with the natural world is beneficial for emotional and mental health—it’s not just a source of beauty but nourishment.” For an artist’s bungalow, Sarah created a visual continuity between lush indoor plant life and the garden outside, and then took it a step further. Sarah designed the outdoor garden to support pollinators, birds, and other wildlife. The garden is a Certified Monarch Waystation, providing resources to support migrating Monarch butterflies by providing food, water, cover. Sarah said, “Designing homes for wellbeing doesn’t have to stop at the comfort of the client. Incorporating elements of design that nurture the local ecology deepen our relationship with nature and result in spaces that are unified with their surroundings.”

This particular expression of cosmopolitical home design can be achieved even with limited outdoor space. For an oceanview penthouse, Sarah transformed a balcony into an inviting habitat for local and migrating wildlife by adding potted olive trees and an herb garden. “Considering plants not just for their decorative beauty but also what they can offer to the local environment is a concept that works on virtually any scale,” Sarah says. To decorate the interiors, Sarah selected natural and eco-friendly furnishings and textiles, adding that “Organic materials have a gentler environmental impact, and from a wellness perspective, are kinder to the people who live with them.”

When selecting materials and furnishings for home decorating, Sarah often looks to her clients’ priorities to guide her approach to creating spaces that embody a cosmopolitical perspective. For one high-rise suite, the owner’s love of animals was demonstrated not only through the choice of art and decorative objects, but also wanted this care toward animals extended outside home design and beyond aesthetics. Sarah addressed this by using exclusively vegan materials and furnishings for this project. Sarah explains, “No space exists in a vacuum—every object and material we use has a footprint that goes well beyond the front door, so considering the story of the materials we use and the impact that they have on the world is a way to invite cosmopolitical ideas into home design.”

Sustainable materials can also have unexpected origins. For the kitchen of a historic craftsman bungalow, Sarah installed a countertop made of recycled beer bottles, a non-extractive alternative to a more traditional quarried stone countertop. “Not only is the material beautiful and environmentally conscious, but there’s also a little whimsy in how it reinvents something ordinary and adds character to the space,” Sarah says. The implications behind cosmopolitical home design may be weighty, but there is always room for playfulness.

“When I look at my work from a cosmopolitical perspective,” says Sarah, “I see tremendous opportunity for creativity. We are seeing our way of life change in real-time, and as a home designer, I’m lucky to be able to be a part of facilitating that transformation for my clients.”

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Designer Sarah Barnard on Why Empathy Is Central to Her Work

Article by Gwendolyn Purdom, originally featured Houzz.

Growing up with historic preservationist parents, Sarah Barnard got her introduction to architecture and home design at a young age.

“I grew up in historic homes, and my father was restoring furniture and light fixtures and stair railings and you name it,” the Los Angeles interior designer says. “Certainly, as things progressed in life, I think his talents became mine.”

The experience also shaped the way Barnard now approaches her work as the principal designer at Sarah Barnard Design — a firm built on sustainable, wellness-focused and otherwise mindful practices. (Barnard is a WELL accredited professional, a Building Biology practitioner and a LEED accredited professional.)

“Reducing, reusing, recycling — these types of things were not novel concepts,” Barnard says. “Being sensible and responsible in our choices and in our material specifications is something that’s always been a part of my life and definitely influences the way that I work.”

Barnard, who has been using Houzz to share project photos and to connect with fellow professionals on Pro-to-Pro discussion boards almost since the platform launched, has been seeing more and more clients, parents particularly, looking at their homes through a more thoughtful, holistic lens. Beyond being environmentally conscious, Barnard’s home design projects revolve around creating spaces that are personalized to support mental and physical health and happiness.

“If we all could be so lucky to exist in a space that is uniquely ours,” Barnard says. “There really is no happier environment than a space that is specially made for you.”

PHOTO BY: CHAS METIVIER

Q. You specialize in wellness design, sustainable design, and other mindful design practices. Why did you choose to make those specialties central to your work?

A. Empathy is really the foundation of our studio’s practice. Being able to meet our clients where they are and create environments that support them in living their best lives is really the heart of what we do.

My two primary credentials are LEED AP [accredited professional] and Well AP. LEED focuses more on environmental responsibility. WELL is focused more on human health. Those two things, along with historic preservation, really are the key focuses of my practice.

PHOTO BY: STEVEN DEWALL

That said, the personalization piece is really where it’s at in terms of being able to adapt to a broad range of situations. Sometimes that is a client who is seeking a vegan or perhaps a sustainable and vegan environment.

Other times it might be something that’s more of a specific family need, like a child with developmental differences or a person who has 13 cats. Any personalized need that could be better accommodated through home design is something that we’re keen to help with.

PHOTO BY: STEVEN DEWALL

Q. How do you work around challenges those specialties may present?
A. There are always limitations, and one thing we learn as design students and we practice throughout life is that limitations really drive design. With a big, broad, open scope the outcome could be anything, but the more limitations the project has to endure, the more specific the outcome.

An example of that is that we have a client who utilizes a prosthetic leg, and of course, this is something that is integral to her day-to-day function but not something that she would like to draw attention to. In the process of designing her home, it was disclosed at some point that she didn’t want certain types of textiles that would make it difficult for her to get up or get down. Something that might be more slippery, for example.

So, something that we may not have been aware of at the start of the project — once we’re armed with the information of what specific textures are going to be safest for her, then we can proceed accordingly in recommending those well-matched solutions.

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Q. Where do you find inspiration?
A. On a personal level, I’m definitely very much connected to the natural world. For me, that means spending time in my garden, doing a heck of a lot of birdwatching, really being tuned in to the small daily differences — like what the birds are doing, what the plants are doing, what the caterpillars are doing.

Being in touch with what’s going on in the natural world is a really important way for me to stay grounded in my professional life. Those textures, colors, patterns, things that I experience in the outdoors definitely drive the solutions that I create indoors.

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

Q. What has been your most memorable client request? You worked with someone with 13 cats?
A. Yes. We made a special screened porch for the cats so that they could enter and exit the house safely without being eaten by a coyote or disturbing the neighborhood bird population. They were able to bask in the sun and live their happy lives safely and in a way that made the homeowner pleased.

I think perhaps the most fun request we’ve had in the last few years was that a young couple in the entertainment industry wanted an adult sleepover room. It was a very large space that would essentially have multi-functions for hosting parties, but the sofas would be modular and movable so that they could be reconfigured as king-sized beds. And if the party got late and movie-watching turned to sleep, 10 or more couples could camp in this room.

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Q. Is there one particular project that changed your business in some way?

A. In my late 20s, I had the opportunity to design the West Coast offices for National Geographic Entertainment. And that certainly was an important project for us, because it was not only aesthetically in our dream wheelhouse, but it also was a client that more than ever before really was in alignment with our values and the things that we think are important. That definitely was a fantastic experience.

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Q. What advice would you offer to pros who want to make their practice more sustainable or mindful?

A. The most critical skill in mindful design is listening — creating a space in which the client feels comfortable to share, and then really listening and asking follow-up questions, many of them, prior to offering any solutions. Probably the most common rookie designer mistake I see is, designers, want to view a space and immediately make recommendations. And in doing that they would have missed the most critical element of the space, which is the user.

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Q. What particular challenges is the interior design industry facing?
A. Interior designers have always had a singular challenge, which we will probably face for decades to come, and that is that many homeowners don’t actually understand what we do. Because of this sort of lack of education in the homeowner, they may misunderstand our services to be shopping. They may misunderstand our services to be a number of things that are not actually what interior design practice is fundamentally about. And because of this misinformation, I think designers may struggle to communicate their value to a person who perhaps hasn’t worked with a designer before or isn’t familiar with all the benefits a professional can bring to a project.

Because I have been in the game most of my adult life, I am fortunate to be approached regularly by clients who are knowledgeable, who do value what my team has to offer. I think in the rare occurrence where we’ve worked with a client who struggles to understand the process, we just remain patient and explain to whatever length necessary so that they can understand what is happening and why.

A great example of that would be, I had a client once and he said he didn’t need measuring; he just needed furniture. That’s an example of someone who just doesn’t understand the steps of the process. Being patient with him and explaining to him why measuring is critical to the process allowed him to remain in support of the work that we were doing and understand what we were delivering and why.

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Q. What advice would you offer other pros on making their own design specialties stand out?
A. It’s like the advice that our moms all gave us as children, but it’s critical to be yourself — thinking about what’s really important to you and what are the things that you really, really are passionate about and being more a part of those things.

For example, for me, it’s nature and birds and that’s my truth. It’s easy for me to talk about nature and birds because that is my real life. It’s much more difficult to try to follow the trends of others and latch on to boho-chic or whatever is the latest thing. Because if the latest thing is not your thing, it’s never going to be authentic anyway.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Women-led businesses we love: Cultura Collection, a new lifestyle brand with an ethos of wellness and sustainability

Sarah Barnard Design recently attended an exclusive launch party in Santa Monica for Cultura Collection, a new online collective that retails quality products from conscious, purposeful brands and serves as a community hub for global citizens interested in travel, music, dance and wellness.

Founder Renimah Al-Mattar, a longtime friend of Barnard’s, launched Cultura Collection after 15 years in the corporate world. “I started this brand because I believe in the power of wellness,” says Al-Mattar. “For me, a healthy lifestyle started with immersing myself in the type of exercises that brought me joy like music and dance and yoga, but it also extended to eating clean and using products that are eco-conscious and free of chemicals and harmful additives. All of the products I carry support this ethos.”

 The launch party was held on the rooftop of a commercial building in downtown Santa Monica, where guests snapped selfies against a succulent backdrop, nibbled on hors d'oeuvres prepared by a local restaurant, and browsed the selection of wellness products, handcrafted clothing, paper goods and delicious vegan chocolates.

Al-Mattar is committed to mentoring, supporting and empowering women and the majority of the brands represented in Cultura Collection are women-owned and operated. “We still live in an age where it is more difficult for women-led businesses to have access to capital or even marketing and distribution at times,” says Al-Mattar. “My goal is to use my online platform to tell the stories behind these unique brands.”

This message resonates with Barnard, whose own online boutique storefront, Kale Tree, supports the work of local artisans producing sustainable, ethically-made home goods. Lifting up fellow women-led businesses is something Barnard is particularly passionate about.

“I’m so happy to see what Renimah has accomplished in her support of small makers and women in particular,” says Barnard. “I’m looking forward to following her business as it grows.” 

The successful launch of the Cultura Collection brought together like-minded individuals to celebrate well-made products, artisan communities and entrepreneurship. Barnard was grateful to have been in attendance for Al-Mattar’s first and most important business milestone. You can shop the Cultura Collection online at culturacollection.com (they’ve got some great holiday gifts!) or follow them on social media.

The Power of Wellness Design

Interior Design: Sarah Barnard, Artwork: Renae Barnard + Ruben Vincent, Photo: Steven Dewall

Wellness is not a buzzy topic, but is sure seems like it this year. Forbes declared this year to be the year of the wellness revolution, Vogue called it the new luxury status symbol, and Fast Company highlighted the industry’s $4.2 trillion valuation.

Earlier this summer, Sarah Barnard Design attended a panel discussion on Design x Wellness at the Helms Bakery District. The event was held in conjunction with the LA Design Festival and was moderated by California Interiors Editor-in-Chief Kelly Phillips Badal.

Three panelists, all from various design backgrounds, contributed to the lively back-and-forth, which centered around “achieving a healthy and organized life.” There were a number of takeaways to be gleaned from the discussion, including how organizational systems can combat stress and how proper lighting can improve sleep quality.

The panelists had only 45 minutes to discuss the topic, but a lot more could be said about the wellness movement as it relates to interior design. A holistic approach to wellness home design goes much deeper than organizing and lighting. There are a multitude of things to consider — the paint on the walls, the upholstery of a chair, the artwork on display. “It’s the interconnectivity between all the different elements that makes the space healthy and well,” offers Principal Designer, Sarah Barnard.

Interior Design: Sarah Barnard, Artwork: Karrie Ross, Brian Johnson, Renae Barnard, Photo: Chas Metivier

Skilled interior designers leverage their knowledge of sustainable, non-toxic materials and finishes to craft healthy, personalized spaces for their clients. “For chemically sensitive clients and clients who value organic interiors, most often furnishings and artworks are handmade for them,” says Barnard.

A recent project for a highly-educated, well-traveled client featured the use of bespoke antique reproductions. “It gives us control over the materials, natural finishes, the scale, and it allows us to support the local economy,” says Barnard. Every detail was carefully considered, from the organic linen draperies to the custom designed floor sofa and the handmade, FSC-certified walnut dining table. “These are things a client would never find on their own because they are not sold in stores, and they just can’t be had otherwise.”

Interior Design: Sarah Barnard, Artwork: Milly Ristvedt, Renae Barnard, Abby Sin, Photos: Steven Dewall

For the owners of an oceanfront penthouse, Barnard customized not only the furnishings, but all of the materials and finishes. “In this home, everything is healthy, natural and unadulterated,” notes Barnard. “We used natural waxes instead of stains and sealers, natural latex foams, organic cotton batting, and organic wool batting that was spun from sheep that are only shorn in summer.”

The clients selected the colors of the natural fibers artist Renae Barnard used to create a hand-woven sculpture for their home office. Crafted from wire, sash cord, cotton clothesline, wool, yarn, fleece and linen, it’s a truly one-of-a-kind piece that doesn’t compromise the chemical-free integrity of the home. “It’s very much of them, for them,” says Barnard.

Art, in particular, contributes to our overall sense of well-being. “It stimulates your mind in the same way as the natural world,” adds Barnard. One study from the University of London found that viewing art produces the same effect in the brain as falling in love, causing a rush of dopamine, a.k.a. the “feel-good hormone.” Another from Drexel University revealed that making and viewing art can lower cortisol levels, the hormone linked to the body's stress response. “When we can provide views of nature, that’s the first choice. But in any instance where we have a blank wall and not a window, then the next best thing to have is art. It makes us happier,” explains Barnard.

Wellness is often touted as a trend by lifestyle magazines and social media influencers, but for Barnard, it’s the ethos of her interior design practice. “Our clients know better and they choose healthy,” she says. Organic textiles, sustainable materials, non-toxic finishes, inspiring artwork, bespoke furniture made by local craftspeople — all of these elements support our mental and physical well-being. And designers with robust knowledge of healthy home design have the power to change lives for the better.

Sarah Barnard, WELL AP + LEED AP designs healthy, happy, personalized spaces that are deeply connected to nature and art. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

Barnard has been featured in publications internationally and was named a “Ones to Watch Scholar” by the American Society of Interior Designers. In 2018 Locale Magazine named Barnard “Los Angeles’ Favorite Interior Designer”. Barnard holds a Master of Fine Arts degree from Claremont Graduate University as well as undergraduate degrees in Art and Interior Architectural Design.

For more information about Sarah Barnard visit www.sarahbarnard.com

Biophilia: Nature & Design

You may have seen the terms "biophilia" or "biophilic design" brandished around the internet lately, posted between beautiful images of sprawling home design and architecture filled with plants and nature-inspired sculpture installations. Biophilia isn't new–but it is a growing discipline in home design. If you are interested in healthy living or are a  building owner, it's a subject worth learning.

Biophilia is our innate desire to be close to nature–and biophilic design aims to make healthy and comfortable interiors by meaningfully incorporating natural elements into our home and work environments. Los Angeles-based interior designer Sarah Barnard sat down with me to explain how she uses biophilic principles to create healthful, smart spaces for her clients. "It's intuitive when you think about it. Biophilia exists because we are comforted by nature, and we all understand that on some level. Nobody wants to live in a little grey box–we want to live in open spaces connected with the environment, plant-life, and the seasons."

Biophilic design puts a few simple principles to use to create spaces that are both visually beautiful and spiritually healthful. As more and more of us make our careers our focus, calmness, serenity and healthy living can be challenging to achieve without the help of nature and smart design. There are years of study to support what we already know in our bones: spaces that have nature incorporated are more appealing to us, and they have marked health benefits.

Terrapin Bright Green is a consulting firm specializing in sustainability to create a healthy, prosperous, and regenerative future for all. They produce workshops, research, planning, guidelines, and product development. They have researched biophilia and organized their findings into 14 principles of biophilic design and have studied the effects of biophilia on our health and wellness. For the most part, many of the principles are simple and intuitive, such as ‘Visual Connection with Nature,’ which is just what it sounds like: adding natural elements or a view to nature into your space.However if you’d like to read an in-depth, thorough explanation of all 14 principles, you can see the results of Terrapin’s research here: https://www.terrapinbrightgreen.com/reports/14-patterns/ . For today, we need only to talk about the three subcategories of the design principles: Nature in the Space, Natural Analogies, and Nature of the Space.

Nature in the space refers to the presence of natural elements in an interior. For example, that could mean having plants, shells, or water features. But it could also mean more abstract features, like natural light or light that changes throughout the day, air circulation, and a view to the outdoors. “What you exclude is just as important as what you include,” said Barnard. “I choose art made with natural materials or vintage art that has off-gassed to avoid putting noxious smells or chemicals into a space. Indoor air quality accounts for part of how we feel about our homes and how comfortable we are.” All of her designs include live plants, working in tandem with HEPA filtration systems to contribute improved air quality, a non-visual connection with nature.

Natural analogies refers to art and forms inspired by nature: a light fixture that looks like a plant or a sculpture that looks like an animal, for example. A good designer will find natural forms and art for you to choose from so you can have art that imitates nature. Barnard walked me through a project she made custom light fixtures for. “The home was beside the ocean, and I wanted to make something inspired by the beautiful surroundings of that space. I started by sketching forms inspired by coral reefs, and I made miniatures in clay by hand. When they were ready, I had them fabricated by a local craftsman. Having forms that imitated the shape and texture of coral and having light cast in beautiful organic patterns made the space feel natural and serene.”

Nature of the space means making the space itself seem like nature. Having a large open space through which you can see an expanse of space, as well as an enclosed room that feels safe fulfills this need. When asked for an example of how Nature of the Space might be used, Barnard said “I finished a project recently where the space had floor-to-ceiling windows with a view to the ocean. I selected low profile furniture to preserve the open space of the room and the sightline to the sea.”

Terrapin also explains that there are three basic types of “nature-health” relationships: cognitive functionality and performance, psychological health and well-being, and physiological health and well-being. Cognitive functionality and performance is our mental acuity and focus. Psychological health and well-being refers to our mood, perception, and emotional state. Physiological health and well-being is our bodily health and performance.

All three areas of well-being see improvement when the 14 principles of biophilic design are applied in a space. The benefits have been thoroughly studied: each principle has been individually tested and shown improvements such as concentration, stress hormone levels, overall happiness, and numerous other positive effects.

In fact, research by other sources has yielded similar results. The Human Spaces Global Report also found greater levels of well being in subjects with a view of natural elements rather than urban settings, according to a recent article by Steelcase’s magazine 360.

Steelcase, the largest furniture manufacturer in the world, is dedicated to sustainability, innovation, and wellness. They too have invested into researching biophilia in order to produce furniture for healthy, sustainable spaces. They describe the human experience with nature in four categories:

Sensory richness: mixing colors, textures, sizes and shapes. Varied elements in a space mimics nature and puts us at ease.

Natural rhythms and signals: anything that reminds us of natural processes can help restore us. Natural lighting that allows real sunlight, or artificial light that changes to mimic natural light.

Challenges in nature: the idea is that our challenging environment is what pushed humanity to grow into what we are today, so there should be encouragement towards effort.

Local distinctiveness: having a feature that does not repeat anywhere else in the building can help large offices from becoming soulless or bleak. Reserving a certain material or color for one room can make it and the surrounding space more special and pleasant.

These four principles are a useful way to understand how we are affected by nature, and offer another way to begin tackling the design challenges you may be facing in your home or workspace. Whether you use these four facets or the 14 principles of biophilic design as a jumping off point to improve your space, a deeper connection with nature is healthy and beneficial.

“When you strip it down to basics, using biophilic design means including pieces of nature in the design, elements inspired by nature, and mimicking natural environments with layout, architecture and planning,” Barnard said. Homeowners and building owners especially might consider taking these premises into account in order to make their home or office a place that promotes their mental and physical wellbeing. Getting started can be as simple as purchasing a few plants. If you aren’t sure where to go from there, a designer can help you put all the principles into practice. Ideally, your space incorporates nature, smart design and healthy living.

Photos by Chas Metivier and Steven DeWall

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Award Winning Los Angeles Interior Designer Achieves WELL Accreditation

Interior designer and Leadership in Energy and Environmental Design Accredited Professional (LEED AP), Sarah Barnard of Sarah Barnard Design has recently achieved recognition from the International WELL Building Institute (IWBI) as a WELL® Accredited Professional. The WELL Building Standard® is the premier standard for buildings, interior spaces and communities seeking to implement, validate and measure features that support and advance human health and wellness.

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WELL was developed by integrating scientific and medical research on environmental health, behavioral factors, health outcomes and demographic risk factors that affect health with leading practices in building design and management. WELL Certification and the WELL AP credentialing program are third-party administered through IWBI’s collaboration with Green Business Certification Inc. (GBCI), which also administers LEED certification, the global green building program, and the LEED professional credentialing program. This relationship assures that WELL works seamlessly with LEED.

Sarah Barnard Design was established in 2003 with a focus on creating spaces that are respectful of history, healthy, art-forward, and deeply connected to nature. Sarah was LEED accredited in 2007 and WELL accredited in 2017. Some of her notable projects include the National Immigration Law Center, Heritage Square Museum, National Geographic Entertainment, and numerous beautiful residences.

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Barnard was recently recognized as an American Society of Interior Designers (ASID) National Ones to Watch Scholar, was featured in the July 2017 Issue of Metropolis Magazine and is scheduled to guest lecture at the 2018 ASID National Student Summit, SCALE in Los Angeles, CA. 

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

For more information about WELL https://www.wellcertified.com/en 

Vegan Interior Design

“You can still have everything you want, even if you are vegan,” Sarah Barnard explained. For those vegans who want to surround themselves with luxurious vegan linens, more natural, beautiful and durable vegan materials are available than ever. If you are the type of vegan who loves the look of animal products, more and more perfect options are available for you as well. Los Angeles home designer and recent ASID award-winner Sarah Barnard took time to go over the growing vegan interior design market and her experience with clients who care about animals. “Happily, the days of sacrificing comfort for principles are over. There are plenty of luxury options for vegans, too.”

Of course, vegan and vegetarian mean different things to different people. It helps to clarify your preferences ahead of time. A knowledgeable designer can help you sort through what is desirable to bring into your home and what isn’t, and can help with any additional design considerations that frequently go hand-in-hand with a love of animals, like the desire for an eco-friendly home. DIY strategies are abundant on sites like Pinterest or Etsy, but some subtle animal materials may slip past you if you aren’t sure what to avoid, or less perfect materials may get selected by default.

“If vegan living is important to you, find an interior designer to help you. It’s the best way to make sure you feel good about your design decisions,” Barnard explained. “Ideally, you would work with a designer who has experience and vegan resources prepared.” One must vet each component of every item. There are the obvious things: fabrics, leather, and fur. But plenty of materials that you wouldn’t expect to use animal byproducts, too. Paint, glue, and lacquer are less obvious and slip by unnoticed most of the time. Old master painting or collectible paintings, for example, can potentially have small amounts of animal byproducts: nevermind that canvas was sometimes made of animal hide, but eggs were used to make tempera paint, and some pigments were derived from animal skin or hair as well. “Essentially, every part of every item could potentially bring animal products into your home.” Barnard cautioned. When asked how she avoids this, she answered, “I work closely with local artists and manufacturers that work with vegan materials. The artists care deeply about animals and the environment and make careful choices in the selection of materials.”

Some things that may be marketed as a cruelty-free product need to be verified also. For example, some silk manufacturers claim they wait until the silkworms have died to harvest their cocoons, but less reputable manufacturers have been caught lying about their processes.

While it can be exhausting searching for an alternative, don’t settle for just any synthetic material. A designer has access to samples and access to a myriad of information on the manufacturers’ technical specifications on art, furniture, and building materials.

Consider your health when designing or decorating your home with synthetic materials. Humanmade options could mean introducing elements that off-gas chemicals into your home. Vinyl and PVC for example, have been known to release chemicals for at least two weeks after installation. There are plenty of safe synthetic materials made by responsible manufacturers.

If you were on the fence about making your home vegan, consider that for a family member or guest with allergies, making your home vegan can be an excellent way to make sure there are no allergens that cause discomfort. Artificial down, for example, can be better than it’s feathery counterpart because alternatives are often water-resistant in addition to being hypoallergenic.

For a family member on the autistic spectrum, the smell of animal leathers and the rough textures of some wools and skins may be bothersome. Ideally, a space designed for them has carefully considered and created the materials, lighting, and flow.

When asked about her favorite part of designing a vegan home, Barnard said, “Vegan interiors often end up being automatically eco-friendly.” It turns out vegan homes can have a smaller carbon footprint, simply because any process involving cultivating materials from animals means using resources to care for the animal to grow, and the carbon dioxide they exhale during their cultivation contributes to a large carbon footprint. Wood should be researched as well and sourced from responsible, sustainable sources, or reclaimed from previous projects and buildings.

Whatever your reason for choosing a vegan home, it should be relevant to the designer who helps you create your perfect home, too. You don’t have to sacrifice style or comfort; more than ever, it is possible to luxurious, durable, cruelty-free, materials.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Chas Metivier and Steven Dewall.

Healthy Home Design: Natural Interiors

The impact of sustainability can be addressed both in terms of the built environment, and its effect on the day-to-day lives of the people who inhabit these designed spaces. Sound environmental home design should create a symbiotic relationship between the user and their environment. Designer Sarah Barnard’s holistic approach considers the psychological and emotional factors within a model to promote wellness.

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Healthy Materials

When choosing the basics, one should keep in mind the range of organic materials that offer health benefits. Sarah believes that eco-friendly and natural material selection is the basis for a healthy design. “Creating a restorative environment begins with sustainable choices. Even the smallest decisions matter and can have profound effects on our health and the environment.” Her holistic approach towards material selection includes raw fibers and natural textiles, such as wool, cotton, and linen.

This all natural (non-toxic) sofa pairs with a handmade, live edge coffee table displaying a collection of the homeowner's favorite things: agate slices, ammonites and an array of rose and lavender colored thistles. A group of brightly colored floor cushions provides the perfect casual living room seating. Natural fibers like wool and linen are comfortable and healthy and can be organically dyed.

Intricately hand carved sconces in American Walnut were designed by Sarah Barnard specifically for this “Scandifornian” style home. Natural woods are another excellent material with an array of attributes that can become a defining focal point within your design. From stunning colors to unique knots and grain patterns, natural woods such as oak, walnut, and maple provide various utility and elemental beauty within a home. Sarah Barnard works closely with local artisans and craftsmen to realize her custom furniture and lighting designs. This beautiful walnut dining table was custom made for this room from a single fallen tree.

Elemental Accents

A key component of biophilic design is to incorporate natural elements within an artificial environment. We spend so much of our time indoors that the objects we surround ourselves with become very important. Recently, Sarah Barnard completed a sustainable penthouse for an out of town couple with super meditative space requirements. Think total relaxation and harmony with the universe. By utilizing furniture and accessories as an expression of nature, Sarah’s custom designs bring the outdoors into the home. Elemental accents such as stone, concrete, minerals, ceramics, and plants create a sense of grounded balance.

Sarah designed a concrete fireplace specifically for this home with features such as subtle, etched lines that reference the movement of water. The mantle displays specimens from the homeowner's collection of minerals. Delicate orbs are a soothing and repeated design element throughout the home. Sarah worked closely with a local artisan to realize her vision for custom designed wall sconces. This piece of functional art was hand-made from ceramic clay and fired in a kiln using traditional glazing processes.

A handmade table with a live wood edge feels close to nature drawing attention to its organic form. When displayed among collected shells and family photographs, large mineral specimens diversify a typical collection. Sarah believes it is vital to surround yourself with things both meaningful and beautiful.  "Live with what you love. Surround yourself with beauty and positive energy." Her design philosophy recognizes the importance of creating contemplative spaces that highlight her clients valued mementos and personal collections.

Another beautiful hand made wood table was made to fit perfectly within the foyer alcove providing a gentle, welcoming display of objects meant to inspire, protect and enlighten. The subtle sheen of the pale blue wall covering references the nearby reflective sea and accompanies delicate coral inspired wall sconces.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall

Artistic Spaces: California Interior Design Style

The earliest and most prominent role for art was the decoration of spaces and is still an everyday use for art. This is because its character and appearance profoundly influence our perception of a room. Very few of us would enjoy living and working in spaces devoid of decoration, no matter how nice the architecture. But despite the ubiquity of art in the areas that we inhabit, we are not always aware of its presence even as we are affected by it.

Some think, “To create a point of interest, merely hanging some wall art”. But frequently, the layout of a space is more comprehensive than we can immediately appreciate and can feature strategies other than simple ornamentation. The array of methods to integrate art into home design is more diverse than a viewer likely realizes, and extends well beyond a well placed potted plant. The design of the room can be the art itself.

The ocean view penthouse features artwork by Susan Hannon. In this room, a pair of handcrafted paper wings adorns the light sandy walls. They were designed to integrate in a precise way. Although similar in color, the wings emerge from the wall by their texture and the shadows that fall from their form. At a distance, this type of interruption on an otherwise smooth surface can be reminiscent of the impressionable shores of a beach, while the shape itself alludes to the lightness of flight and open spaces. This design approach is specific to the unit, a top floor penthouse with unobstructed views of the beach. Deeper connotations remain appropriate to the context. The wings, made of antique bible pages, allude to the story of Icarus and provide a clear parallel to the manufactured ascent afforded by the top floor in a modern building. It transforms the air in the space into a theme of the room. Even though these elements are not at once apparent, the careful coordination of artwork to an area can produce a powerful effect.

The artwork featured in the living room space of the Cosmopolitan Craftsman relates to the space more subtle ways. In the far right corner hangs a piece that is sourced directly from nature. It is a petrified fish slab, and its addition to the room acts as both an object of interest and an emphasis of the room’s color palette and cozy earthen aesthetic. Unlike the wings of the Penthouse, its presence does not directly influence the room but reinforces the design and feel of the space. The fireplace design is a less apparent artistic piece because it also serves a functional purpose. But beneath the umbrella of interior design, all elements in a space are united to convey a single theme or effect, and all objects in the room considered to be art. Interior design exists as a combination and balance of functionality and beauty. Like a painting or sculpture, a well-coordinated space can evoke from its viewer specific emotions and moods.

While the ocean view penthouse and the Cosmopolitan Craftsman utilize artwork to emphasize certain elements of design, the Landmark Bungalow dining room is utilized as a display for an eclectic collection of artwork. The large wooden cabinet serves as a showcase for various art pieces collected by the owner in his travels. The bust by Deborah Cansler Waters overlooks the vintage dining table. These elements were arranged to support the room's primary function as an area for people to gather, eat, and converse. The artwork provides context and stories for guests as it brings them and the space together in harmony. The vibrant blue painting on the far right by Lori Dorn compliments the effect.

It’s exciting to realize the rooms themselves can be art. Objects and spaces can serve a dual purpose, at once functional, and yet organized under ideas that are artistic rather than practical. An appreciation of the work of the interior designer leads to the satisfaction of the spaces we navigate daily, areas that constitute our context and contribute to our emotional state. Understanding that the feelings we have in a room are not accidental will lead to a greater appreciation of intelligent interior design.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Biophilia + Interior Design = Healthy, Happy Homes!

Our day to day lives are often spent moving from one artificial environment to another. The familiar routine of home to car, car to work, and back leaves many unsatisfied. Over the course of the last three decades scientists have begun to investigate psychological connections between human beings and the natural world. 

The principle of Biophilia was first introduced in the 1984 book by Edward O. Wilson, which hypothesizes that humans have a deep psychological affinity for other living organisms. While scientists believe this empathy may have developed as a way for nature to protect and preserve itself, others have begun to consider how this principle might benefit people. Designers in particular have been quick to recognize the possibilities for transforming the environments we inhabit in ways that could have genuine and positive psychological effects.

Biophilic design has become a popular approach to domestic and commercial design. It employs strategies ranging from the modest to elaborate to create spaces that acknowledge and satisfy our deep-seated need for nature in our lives.

One approach to Biophilic home design is the incorporation of natural elements within an artificial environment. From architectural design that capitalizes on natural light, to the simple incorporation of plants in an office environment, modest decisions can have a dramatic effect on our spaces. One study done at Washington State University by Virginia I. Lohr and Caroline H. Pearson-mims measured the stress levels in test subjects while performing a task in an office environment. When plants were present in the room, subjects displayed an increase in productivity (12% quicker reactions to their computer task) and were less stressed according to their blood pressure. More research has been conducted on the subject of human-plant interaction and how a natural element can provide real benefits to your daily life.

Other strategies take cues from natural forms to design architectural and interior spaces and furniture. From organic materials or floral patterns to entire rooms that reflect natural themes, there are endless possibilities for Biophilic design. The image above from the Cape Cod Guest Retreat project is a perfect example of incorporating vine patterned fabric and specific color palettes to create a harmonious blend between outdoor and indoor spaces. 

The ocean view penthouse design recalls the bright sands of the shore while the splash of green of potted plants gives a sense of healthy, tranquil living. Outstretched wings offer the viewer a feeling of weightlessness and flight, and the addition of wooden furniture with their airy and open forms completes the natural beach scene. Air quality is an often overlooked but vital element of Biophilic design. The ocean view penthouse is an example of how suggestions of air can make a space feel open and clean, while the potted plants in tandem with a HEPA filtration system help to provide actual clean air. Fostering a peaceful environment is the surest way to foster peace in yourself.
 

Biophilic design has become a popular and effective response to the innate desire of humans to live in natural harmony. When it comes to designing or remodeling your home, consider the many benefits of Biophilic design. More than just a style, it has real effects on your quality of life in your home or office.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.