Think Universal

PHOTO BY: STEVEN DEWALL

In a recent article in "Times Leader," Nancy Mattia explored universal home design with interior designer Sarah Barnard.
In the article, Mattia discusses the core ideas and considerations behind universal design when designing a residential or commercial environment.

PHOTO BY: STEVEN DEWALL

"'Universal design takes into account a broad range of users and abilities,' says Sarah Barnard, a Los Angeles home designer. 'It makes sense for designers and builders to plan our projects with that in mind since great design should accommodate the widest number of users - ourselves, our kids, our parents, our grandparents.'"

PHOTO BY: STEVEN DEWALL

Considering a range of users, Sarah can create designs welcoming to a variety of guests that ensure the design's longevity as the client's needs shift as their family grows and ages.

PHOTO BY: STEVEN DEWALL

When discussing home design details to consider, Sarah turned to room transitions and flooring, noting that decisions like tile size may affect a space's safety and functionality. Small tiles use more grout, creating larger traction areas on the floor, while oversized tiles can increase the risk of slipping.

On discussing accessibility and planning with her clients, Sarah shared that "'No one wants to think about a less-than-ideal future, when they may need help getting around and living in their home.' […] So rather than plan for tomorrow, she asks reluctant clients to plan for today: 'What would happen if one of your kids gets a sports injury and can't make it up the stairs to the bedroom or bathroom?' she asks them. Most people eventually see the light."

PHOTO BY: STEVEN DEWALL



Originally published on Ion Television, where the complete article is available. 

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Designer Sarah Barnard on Why Empathy Is Central to Her Work

Article by Gwendolyn Purdom, originally featured Houzz.

Growing up with historic preservationist parents, Sarah Barnard got her introduction to architecture and home design at a young age.

“I grew up in historic homes, and my father was restoring furniture and light fixtures and stair railings and you name it,” the Los Angeles interior designer says. “Certainly, as things progressed in life, I think his talents became mine.”

The experience also shaped the way Barnard now approaches her work as the principal designer at Sarah Barnard Design — a firm built on sustainable, wellness-focused and otherwise mindful practices. (Barnard is a WELL accredited professional, a Building Biology practitioner and a LEED accredited professional.)

“Reducing, reusing, recycling — these types of things were not novel concepts,” Barnard says. “Being sensible and responsible in our choices and in our material specifications is something that’s always been a part of my life and definitely influences the way that I work.”

Barnard, who has been using Houzz to share project photos and to connect with fellow professionals on Pro-to-Pro discussion boards almost since the platform launched, has been seeing more and more clients, parents particularly, looking at their homes through a more thoughtful, holistic lens. Beyond being environmentally conscious, Barnard’s home design projects revolve around creating spaces that are personalized to support mental and physical health and happiness.

“If we all could be so lucky to exist in a space that is uniquely ours,” Barnard says. “There really is no happier environment than a space that is specially made for you.”

PHOTO BY: CHAS METIVIER

Q. You specialize in wellness design, sustainable design, and other mindful design practices. Why did you choose to make those specialties central to your work?

A. Empathy is really the foundation of our studio’s practice. Being able to meet our clients where they are and create environments that support them in living their best lives is really the heart of what we do.

My two primary credentials are LEED AP [accredited professional] and Well AP. LEED focuses more on environmental responsibility. WELL is focused more on human health. Those two things, along with historic preservation, really are the key focuses of my practice.

PHOTO BY: STEVEN DEWALL

That said, the personalization piece is really where it’s at in terms of being able to adapt to a broad range of situations. Sometimes that is a client who is seeking a vegan or perhaps a sustainable and vegan environment.

Other times it might be something that’s more of a specific family need, like a child with developmental differences or a person who has 13 cats. Any personalized need that could be better accommodated through home design is something that we’re keen to help with.

PHOTO BY: STEVEN DEWALL

Q. How do you work around challenges those specialties may present?
A. There are always limitations, and one thing we learn as design students and we practice throughout life is that limitations really drive design. With a big, broad, open scope the outcome could be anything, but the more limitations the project has to endure, the more specific the outcome.

An example of that is that we have a client who utilizes a prosthetic leg, and of course, this is something that is integral to her day-to-day function but not something that she would like to draw attention to. In the process of designing her home, it was disclosed at some point that she didn’t want certain types of textiles that would make it difficult for her to get up or get down. Something that might be more slippery, for example.

So, something that we may not have been aware of at the start of the project — once we’re armed with the information of what specific textures are going to be safest for her, then we can proceed accordingly in recommending those well-matched solutions.

PHOTO BY: STEVEN DEWALL

Q. Where do you find inspiration?
A. On a personal level, I’m definitely very much connected to the natural world. For me, that means spending time in my garden, doing a heck of a lot of birdwatching, really being tuned in to the small daily differences — like what the birds are doing, what the plants are doing, what the caterpillars are doing.

Being in touch with what’s going on in the natural world is a really important way for me to stay grounded in my professional life. Those textures, colors, patterns, things that I experience in the outdoors definitely drive the solutions that I create indoors.

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

Q. What has been your most memorable client request? You worked with someone with 13 cats?
A. Yes. We made a special screened porch for the cats so that they could enter and exit the house safely without being eaten by a coyote or disturbing the neighborhood bird population. They were able to bask in the sun and live their happy lives safely and in a way that made the homeowner pleased.

I think perhaps the most fun request we’ve had in the last few years was that a young couple in the entertainment industry wanted an adult sleepover room. It was a very large space that would essentially have multi-functions for hosting parties, but the sofas would be modular and movable so that they could be reconfigured as king-sized beds. And if the party got late and movie-watching turned to sleep, 10 or more couples could camp in this room.

PHOTO BY: STEVEN DEWALL

Q. Is there one particular project that changed your business in some way?

A. In my late 20s, I had the opportunity to design the West Coast offices for National Geographic Entertainment. And that certainly was an important project for us, because it was not only aesthetically in our dream wheelhouse, but it also was a client that more than ever before really was in alignment with our values and the things that we think are important. That definitely was a fantastic experience.

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer to pros who want to make their practice more sustainable or mindful?

A. The most critical skill in mindful design is listening — creating a space in which the client feels comfortable to share, and then really listening and asking follow-up questions, many of them, prior to offering any solutions. Probably the most common rookie designer mistake I see is, designers, want to view a space and immediately make recommendations. And in doing that they would have missed the most critical element of the space, which is the user.

PHOTO BY: STEVEN DEWALL

Q. What particular challenges is the interior design industry facing?
A. Interior designers have always had a singular challenge, which we will probably face for decades to come, and that is that many homeowners don’t actually understand what we do. Because of this sort of lack of education in the homeowner, they may misunderstand our services to be shopping. They may misunderstand our services to be a number of things that are not actually what interior design practice is fundamentally about. And because of this misinformation, I think designers may struggle to communicate their value to a person who perhaps hasn’t worked with a designer before or isn’t familiar with all the benefits a professional can bring to a project.

Because I have been in the game most of my adult life, I am fortunate to be approached regularly by clients who are knowledgeable, who do value what my team has to offer. I think in the rare occurrence where we’ve worked with a client who struggles to understand the process, we just remain patient and explain to whatever length necessary so that they can understand what is happening and why.

A great example of that would be, I had a client once and he said he didn’t need measuring; he just needed furniture. That’s an example of someone who just doesn’t understand the steps of the process. Being patient with him and explaining to him why measuring is critical to the process allowed him to remain in support of the work that we were doing and understand what we were delivering and why.

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer other pros on making their own design specialties stand out?
A. It’s like the advice that our moms all gave us as children, but it’s critical to be yourself — thinking about what’s really important to you and what are the things that you really, really are passionate about and being more a part of those things.

For example, for me, it’s nature and birds and that’s my truth. It’s easy for me to talk about nature and birds because that is my real life. It’s much more difficult to try to follow the trends of others and latch on to boho-chic or whatever is the latest thing. Because if the latest thing is not your thing, it’s never going to be authentic anyway.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

A Carefully Curated Beach Home

Curating a collection of artwork for the home can be a gratifying process. While we are only beginning to understand the science behind our emotional response to art, humans have produced and sought artwork throughout the history of their existence. Researchers from the University College London found that looking at art that we perceive as beautiful activates the pleasure centers in our brains and produces a response that’s akin to falling in love, as many of us can confirm anecdotally.

It only makes sense that while designing a space, we should turn to artwork to help influence our emotional experience. As a home designer with a fine art background, Sarah Barnard recognizes the significance of using art for well-being in home design. For a recent residential project by the beach, Barnard sourced an impressive collection of artwork to enhance the lifestyle of the homeowners.

PHOTO BY: ACE MISIUNAS
Textile artwork by Aneesa Shami.

A textile piece by artist Aneesa Shami warmly greets visitors at the entrance, supporting her assertion that attention to detail can “bring comfort and peace of mind from the chaotic world.” Barnard fills the corner with playful, order seeking pieces, most literally seen in a bespoke getabako cabinet used for organization and storage. Nearby hangs Michelle Jane Lee’s painting Blue (Wave On). Its heavily textured and undulating canvas finds structural contrast in geometric blue forms, painted with pinpoint precision.

PHOTO BY: ACE MISIUNAS
Painting by Michelle Jane Lee.

In the kitchen nook, an engraving on lucite by artist Karen Sikie entitled Sunflowers lends an ethereal touch. “I hope my work is a reminder of our intrinsic connection to the natural world,” explains Sikie. Here, Barnard’s selection of artwork connects the home to nature in an area where architectural limitations prevent plants or windows.

PHOTO BY: ACE MISIUNAS
Painting by Karen Sikie.

Continuing to consider the home’s structural components, Barnard installed Kevin Moore’s Scalard Field above the kitchen table. Selecting artwork with an unconventional shape can add architectural interest to an interior without the commitment of a remodel. “The shaped canvas I make are meant to interact with the architectural lines in the home,” says Moore. “There is a symbiotic relationship between the form in my paintings and architecture.”

PHOTO BY: ACE MISIUNAS
Painting by Kevin Moore.

Finding Home, an abstract painting by Karrie Ross, mimics the flow of water and compliments an elegantly crafted dining table. Combining multiple works can feel intimidating — especially in an open-concept space such as this — but Ross insists there is no ‘wrong’ way to choose art for your home. “Collectors buy art for whatever reason they want to, whether it’s to match a color, a mood, or just because they can’t take their eyes or mind away from the way it touches them,” she says. Working with an interior designer is an excellent way to relieve the stress of incorporating several beloved pieces of art into the home.

PHOTO BY: ACE MISIUNAS
Painting by Karrie Ross.

Barnard expertly combined artwork in the living area, where a painting by Kevin Moore sits above the fireplace. Built-in bookshelves frame the piece, showcasing work by Renae Barnard, Kitty Cooper, Melissa Halozan, Katie Hoffman, and Abby Sin.

PHOTO BY: ACE MISIUNAS
Art by Renae Barnard, Kitty Cooper, Melissa Halozan, Katie Hoffman, Kevin Moore, and Abby Sin.

In the bedroom, Ruben Vincent’s mixed-media paintings hang over the bed and an heirloom dresser. “For me painting is a form of thinking that fuses knowledge of materials, a fascination with surface qualities, and an obsession with color,” he explains.

PHOTO BY: ACE MISIUNAS
Paintings by Ruben Vincent.

While clients often use mirrors to open spaces and spread light, Barnard used a reflective painting by Sin to serve the same function while adding depth and color to the room. “Paintings can become so much more than wall decor when expertly placed within a home,” notes Sin, the creator of North, which glitters behind the reading nook. “My work incorporates light-reactive films to create bold color and metallic effects. When placed in an area with ample natural light, iridescent colors shift, and the artwork functions as a prism casting reflected light.”

PHOTO BY: ACE MISIUNAS
Paintings by Ruben Vincent and Abby Sin.

An oil painting on canvas by Jennifer King entitled Dream Boy sits above the fireplace mantel. It’s surreal imagery, saturated colors, and a brooding subject serve as the bedroom’s focal point. “I enjoy the idea of art being incorporated into people’s lives, not just as an investment but as something they love enough to see every day,” says King. This philosophy is at the root of Barnard’s selections, as these works of art become integrated with the client’s daily routines.

PHOTO BY: ACE MISIUNAS
Paintings by Jennifer King and Abby Sin.

In the sports and entertainment room, Gianna Vargas’ painting Phoenix brings depth and intrigue to a casual and comfortable space. Even the ensuite bath is embellished with art and features a custom roman shade trimmed with delicate embroidery and a small painting on panel by Sin.

PHOTO BY: ACE MISIUNAS
Painting by Gianna Vargas.

PHOTO BY: ACE MISIUNAS
Painting by Abby Sin.

The artwork featured in the guest suite feels playful and unpredictable — Rose Gold Popsicle, a resin sculpture by Betsy Enzensberger, is placed opposite Reaching 2, another painting by Karrie Ross. “With my work, the message is simple: Joy,” affirms Enzensberger. “This is what drives me to keep creating. It makes me happy to bring others joy.”

PHOTO BY: ACE MISIUNAS
Art by Betsy Enzensberger and Karrie Ross.

Barnard utilized her long-standing relationships with local artists to curate a collection to inspire her clients and contribute to their wellbeing. The result is a colorful, kid-friendly space featuring a wide range of pieces that have the potential to appreciate in value— from handmade textile art to abstract paintings and tabletop sculptures.

PHOTO BY: ACE MISIUNAS
Painting by Kevin Moore.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Classic Blue, Pantone's Color of the Year creates calm and inspires clarity in interior spaces.

Interior Design: Sarah Barnard, Photos: Steven Dewall, Painting: Reid Winfrey

Blue brings us a sense of peace, offers us refuge, aids concentration, and brings us clarity. It is a reflective tone that fosters resilience and gives us hope, qualities we look toward during this uneasy time in the world. Pantone's Color of the Year is Classic Blue, chosen to reflect our desire for a stable future as we enter into a new decade. TIME calls the Color of the Year, "both constant and classic." It is reminiscent of a serene sea and the sky at dusk.

Pantone provides a universal language of color that is used by more than ten million designers and producers around the world to define colors accurately across different platforms and industries. Their Color Institute is dedicated to researching purchasing trends across various industries to determine each year's color. Pantone has been naming a Color of the Year since 2000 and has influenced product development and purchasing decisions in fashion, interior design, industrial design, graphic design, and advertising.

Classic Blue is akin to the very first Color of the Year, Cerulean. The hue represented the excitement of a new millennium, while also offering a sense of protection and serenity amidst the feared approach of Y2K. This year, we are experiencing a similar feeling of trepidation from the United States to the United Kingdom, Hong Kong, Syria, and across the globe.

The reigning Color of the Year offers reassurance, confidence, and connection for us in a time of uncertainty. "When we look at the world around us, we know that we're living with a lot of unrest, where some days don't feel quite as secure," said Leatrice Eiseman, Executive Director of the Pantone Color Institute, in an interview with Architectural Digest. "Blue from an emotional, psychological standpoint, has always represented a certain amount of calm and dependability. It's a color that you can rely on."

Classic Blue is the color of deep ocean water or a handful of ripe blueberries. It is a part of the art market, the beauty industry, automotive manufacturing, tech, and space sciences. Its associations with dependability, trustworthiness, and constancy make it a great color to incorporate into your home design.

My work as a LEED and WELL-accredited home designer is deeply rooted in wellness and biophilia. Biophilia is our innate desire to be close to nature, and biophilic design aims to create healthy and comfortable interiors by meaningfully incorporating natural elements into our home and work environments. Integrating Classic Blue into our spaces builds on the principle of biophilic design because of its presence in nature.

Art, textiles, furniture, and accents are all great ways to introduce soothing Classic Blue to your home or office. A project I recently completed features oceanic shades of blue that act almost like neutrals. I took inspiration from the home's beachy surroundings, bringing in a Classic Blue velvet sofa. I then repeated the color through vintage ceramic vases, books, and toss pillows.

When acting as a base layer, Classic Blue can be paired with a multitude of colors, including other shades of blue. For the client's bedroom, I selected a handmade upholstered bed, Belgian linen bedding, wool drapery, and an abstract painting by Jonathan Elder, all wed by various blue tones. The buttery vintage leather chair and wooden bench at the foot of the bed complete the space, providing visual warmth and balance.

Consider adding serene, calming, earth-focused tones to your home in the new year. Whether you choose Classic Blue as an all-over hue or an accent, you can't go wrong with a color that takes its cues from nature.

Sarah Barnard, WELL AP, and LEED AP specializes in creating calming restorative environments that support physical, emotional, and mental well-being. Her interior design practice centers around her client's health and wellness while incorporating natural elements into every space she designs.

Women-led businesses we love: Cultura Collection, a new lifestyle brand with an ethos of wellness and sustainability

Sarah Barnard Design recently attended an exclusive launch party in Santa Monica for Cultura Collection, a new online collective that retails quality products from conscious, purposeful brands and serves as a community hub for global citizens interested in travel, music, dance and wellness.

Founder Renimah Al-Mattar, a longtime friend of Barnard’s, launched Cultura Collection after 15 years in the corporate world. “I started this brand because I believe in the power of wellness,” says Al-Mattar. “For me, a healthy lifestyle started with immersing myself in the type of exercises that brought me joy like music and dance and yoga, but it also extended to eating clean and using products that are eco-conscious and free of chemicals and harmful additives. All of the products I carry support this ethos.”

 The launch party was held on the rooftop of a commercial building in downtown Santa Monica, where guests snapped selfies against a succulent backdrop, nibbled on hors d'oeuvres prepared by a local restaurant, and browsed the selection of wellness products, handcrafted clothing, paper goods and delicious vegan chocolates.

Al-Mattar is committed to mentoring, supporting and empowering women and the majority of the brands represented in Cultura Collection are women-owned and operated. “We still live in an age where it is more difficult for women-led businesses to have access to capital or even marketing and distribution at times,” says Al-Mattar. “My goal is to use my online platform to tell the stories behind these unique brands.”

This message resonates with Barnard, whose own online boutique storefront, Kale Tree, supports the work of local artisans producing sustainable, ethically-made home goods. Lifting up fellow women-led businesses is something Barnard is particularly passionate about.

“I’m so happy to see what Renimah has accomplished in her support of small makers and women in particular,” says Barnard. “I’m looking forward to following her business as it grows.” 

The successful launch of the Cultura Collection brought together like-minded individuals to celebrate well-made products, artisan communities and entrepreneurship. Barnard was grateful to have been in attendance for Al-Mattar’s first and most important business milestone. You can shop the Cultura Collection online at culturacollection.com (they’ve got some great holiday gifts!) or follow them on social media.

Compassionate Design

Originally featured by Keller Williams Luxury International, Los Angeles writer Roger Grody explores how the vegan lifestyle has contributed to a movement of compassionate design through interviews with leading designers in the field.

Sarah Barnard Design

Photo by Chas Metivier

A growing interior design specialty accommodates homeowners who are as strict about what they put in their homes as what they put on their plates.

The practice of veganism, eliminating all animal products from one’s diet, is usually driven by a commitment to good health, the protection of defenseless creatures or concern for the planet. Although vegan interior design may sound exotic, it is entirely reasonable that the values that inspire vegans’ diets would also be applied to their living environments.

Sarah Barnard Design

Photo by Steven DeWall

A vegan space is devoid of leathers, silks, wools or any materials whose production harms or exploits living creatures. “A happy, healthy vegan home contributes to the ease and enjoyment of life,” says Sarah Barnard, whose Los Angeles based design firm specializes in vegan interiors. “As a designer, I create spaces that help my clients express their values and passions,” explains Barnard, adding, “I also believe that the way we acquire the things we own matters.”

Sarah Barnard Design

Photo by Abby Siniscal

“It’s not only about the animals, but also the workers and the environment,” insists interior designer Deborah DiMare, who maintains offices in Miami and New York. She converted her practice to vegan design about five years ago and believes hers is the only firm in the country exclusively dedicated to the specialty. “When I opened my eyes to the inhumane practices and treatment of workers and animals in the textiles and furnishings industries, I had no choice but to change the direction of my life and my business,” she says.

Sarah Barnard Design

Photo by Steven DeWall

“Ever since I started in fashion in Ireland, my approach to design has dealt with humane and environmental approaches to the procurement of textiles, furniture, dyes, et cetera,” says interior designer Clodagh. Her New York studio accommodates vegan design as well as feng shui, wabi-sabi and biophilia. Although leather is occasionally used in her commissions and she will design steakhouses, Clodagh has personally been a strict vegan for 21 years.

Sarah Barnard Design

Photo by Steven DeWall

Some homeowners considering this approach to design may assume they will need to make concessions on aesthetics and comfort. “In the past, cruelty-free furnishing options were limited, so vegan clients had to compromise on luxury,” says Barnard, who reports more highend synthetic substitutes have become available. DiMare insists some of those substitutes look and feel more luxurious than the genuine articles and she founded VeganDesign.org as an online resource for likeminded designers, manufacturers and homeowners.

Sarah Barnard Design

Photo by Steven DeWall

Rather than inhibiting optimal design and comfort, DiMare suggests, “If anything, it’s made me even more creative,” noting that designing for children with autism and heightened sensory issues enhanced her appreciation of vegan design. At the conclusion of a project, DiMare is delighted to report to clients, “No blood or tragedy is associated with anything in your home.”

Sarah Barnard Design

Photo by Steven DeWall

“I encourage my clients to consider options that support their health and happiness as well as an equitable global ecosystem,” says Barnard, whose overall philosophy, like DiMare’s, transcends the protection of animals. “I believe in embracing the intersections of sustainability, kindness and community, working together for a greater good” says the L.A. designer.

Sarah Barnard Design

Photo by Chas Metivier

“We aim to be mindful of all living things and give back to this earth,” concurs Clodagh, who adds, “We have to leave it in a better state than when we found it.” Expounding on her “lifeenhancing design” — a minimalism not to be confused with self-denial — Clodagh explains, “It’s about having and loving everything you need, but nothing more than what you need.”

Sarah Barnard Design

Photo by Steven DeWall

“As an interior designer, I create spaces that help my clients express their values and passions,” says Sarah Barnard, who explains vegans generally insist their physical environments be consistent with their values. “This is a natural progression for people who care about animals, their health and environmental responsibility,” says the conscientious designer.

Sarah Barnard Design

Photo by Steven DeWall

“Every object and piece of furniture or art in our home carries a lasting history with it,” insists Barnard. “Making a choice to bring in only things that have a conflict-free origin can make us feel good about not only having a beautiful interior, but having a positive impact on the world around us,” she says.

Sarah Barnard Design

Photo by Abby Siniscal

“Requests for vegan interior design are growing rapidly, as people embrace their connection to the natural world,” reports L.A.’s Barnard, and DiMare observes a growing interest among affluent millennials. New York’s Clodagh strikes a more cautionary tone, commenting, “If I could only work for vegan clients, I would have been out of business before I started.”

Sarah Barnard Design

Photo by Scott Van Dyke

“My typical luxury client is a mom in Malibu who does yoga, eats super healthy and drives a Bentley,” reports DiMare. “She teaches her family ethics and social awareness, and wants to surround them in the healthiest possible environment,” maintains the designer, who authored the book Vegan Interiors last year.

Sarah Barnard Design

Photo by Brad Nicol

“Vegan interiors can benefit anyone concerned about the welfare of animals and health of their home and family,” states Barnard, insisting one need not be a vegan to enjoy a vegan environment. DiMare, sought out by non-vegans who admire her aesthetics, agrees that everyone can benefit from the non- toxic, hypoallergenic qualities of animal-free design.

Sarah Barnard Design

Photo by Steven DeWall

Observing how chef-driven vegan restaurants have become mainstream, Clodagh hopes such heightened awareness will fuel interest in vegan design. “As we say in Ireland, the way to somebody’s heart is through their stomach,” she quips.

Sarah Barnard Design

Photo by Chas Metivier

Special thanks to Keller Williams Luxury International and featured writer Roger Grody, who covers the best of Los Angeles’ design and culture. Sarah Barnard Design has had the pleasure of working with Roger on articles covering a broad range of wellness minded topics from Conscious Design to Ephemeral Realities.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Nordic LA presents: Scandinavian Influences & ARK Journal Launch

Sarah Barnard Design had the pleasure of attending an Architecture and Design event hosted by Nordic LA for an exclusive reception and launch of the second volume of ARK Journal amongst other notable architects, designers, and artists from the Los Angeles area and beyond. The festivities spanned over two days and were held at the Schindler House in West Hollywood and the Ace Hotel in Downtown Los Angeles.

Friday night began with a private tour led by Rudolph Schindler’s great-grandson, Guillaune Schindler. The house is well known as the birthplace of Southern California Modernism, due to its incorporation of architectural and social theory. Built between 1921 and 1922 using a standardized "slab-tilt" wall construction, the home was conceived as an experiment in communal living designed to host two couples, with four rooms for each individual, a shared kitchen, and garden patios. Most interestingly, the bedrooms were designed as "sleeping porches." These were outdoor, open rooms on the roof that allowed them to enjoy the temperate Southern California weather and the sweeping views of the neighborhood.

After the tour, guests gathered on the Western-facing outdoor space, best known as Rudolph and Pauline's porch, to hear the panelists' discussion. Lasse Anderson, the Director of the Utzon Center for Architecture in Denmark, moderated the speakers who included the West Coast Manager of Pucci International, Ed Schilling, and Cyrus Etemad, a real estate developer with a focus on the restoration of historic and commercial buildings. The conversation was focused on bringing traditional design and architecture into a contemporary context through renewal, rethinking, and relaunching classic brands and sites.

Saturday evening, the Ace Hotel hosted the group for cocktails and conversation. Located in downtown Los Angeles, the Ace Hotel first opened in 1927 as the United Artists Building. Today it is a historic landmark, influenced by Spanish Gothic architecture, and is an "inspiring location at the heart of the ongoing Broadway renaissance, a meeting place for creatives, innovators, artists, and entrepreneurs."

ARK Journal explores spaces around us, the objects we put them in, and the people who make them. The Copenhagen-based journal bridges architecture, design, and art, allowing the launch party to fit in seamlessly with the weekend's course of events.

The publication included a beautiful feature of Merette's home in Møn, an island in Denmark, which she built with her partner Søren Aagaard. The sleek house made of clay blocks and chalk plastered walls plays with light and nature, and even includes windows built to frame a specific view of the farmland surrounding the home.

Nordic LA's weekend events centered around Architecture and Design had great success in bringing together creatives from Scandinavian countries and Los Angeles. The event gave a new-found inspiration for global communication and the importance of creative collaborations.

Nordic LA provides opportunities for artists, musicians, and performance-focused creatives to connect with others both in Los Angeles and in the Nordic countries.

---

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Kale Tree Launches to Surround Your Home with Joy

LOS ANGELES, CA, October 21, 2019 -- Sarah Barnard, WELL AP + LEED AP announces the launch of Kale Tree, an online boutique storefront, as an extension of her wellness-focused home design studio. All products are designed by Barnard and made in the United States, including a curated collection of wall coverings, home decor, and furnishings crafted from natural and organic materials.

Among the inaugural Fall 2019 offerings are organic cotton sateen textiles and eco-friendly wallpaper inspired by Capsicum annuum var. Glabriusculum, or more commonly, bird peppers. The intricate pattern was hand-drawn by Barnard, who tends to the ornamental plant in her garden. Both products are made in the United States and available in three calming colorways: Rose, Stone, and Sky.

The textiles are woven from certified organic cotton ensured by the Global Organic Textile Standards (GOTS) and printed with water-based latex inks that carry the GREENGUARD Gold certification. The printing of the FSC-certified wallpaper meets the same high standards, contributing to a healthier living environment and more sustainable forestry practices.

Inspired by California nature and Los Angeles Glamour, Sarah Barnard’s online boutique is an extension of her wellness-focused design studio

A long-standing favorite of the shop is the Stevie armchair, a customizable piece of upholstered furniture that exudes mid-century glamour. Stevie is made of FSC-certified hardwoods, natural latex foam, and low-VOC stain. Customize the size, finish, and textile to suit your needs, or choose from the designer-selected color and wood presets.

A hand-printed tote bag with an abstracted illustration of a Cylindropuntia fulgida, also known as the jumping cholla, is the latest addition to the Fall 2019 collection. Barnard spotted the spiky beauty on a recent visit to the Anza Borrego Desert State Park during California's rare Super Bloom. The tote bags are ethically produced in small batches here in the United States using certified organic cotton fabric that is printed to order and dyed with non-toxic, water-based inks.

"Kale Tree opens our personalized approach to wellness design to the general public," says Barnard. "We are exploring the beauty of our surroundings and welcome you to imagine with us." 

Kale Tree plans to grow its collection of ethical, sustainable home goods in 2020. Made with love, beauty, and joy — for you, for your home.

The Kale Tree shop is now live at www.kaletree.com 

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Healing Spaces: How Designers Can Cultivate Wellness in the Built Environment

Empathy can uncover the deep needs of humans in private and public spaces. Leading practitioners in LA's a+d community gathered Friday, October 11th at the Helms Design Center for a conversation about the role of empathy in creating extraordinary experiences.

Hosted by OM and PLP SoCal, this inaugural session of OM Chats gathers leading voices in architecture, interior, and product design for a morning discussion about the ideas shaping design and wellness. Speakers include Sarah Barnard, WELL AP + LEED AP, principal of Sarah Barnard Design, Julie Smith-Clementi, AIA, IDSA, architect and product designer, and Adaeze Cadet, AIA, LEED AP, BD+C, vice president at HKS.

The discussion centered around how to design spaces and products that reflect a broader — more empathetic — understanding of the human experience in the workplace, health care spaces, educational facilities, and wherever people gather and live.

Photo by: Steven DeWall

Transcript of Sarah Barnard’s presentation:

In my practice, as a WELL and LEED accredited interior architectural designer, I specialize in creating environments that support the occupant's mental and physical wellbeing. An empathetic approach is the foundation of my process.

As a neurodivergent person, with sensory processing differences, I know all too well that we live in a world designed for neurotypical people. Normative built environments can be extremely uncomfortable, even traumatic, for many people. For example, individuals with Post Traumatic Stress and folks on the Autistic spectrum may both have sensitivities to sound, light, textures, and odors. People with chronic migraines and people who are chemically sensitive might also have overlapping reactivity to fragrances, sounds, and light.

Photo by: Steven DeWall

The reality is, most humans will have experiences during their developmental years that forever impact their physical, mental, and emotional wellbeing.

Research indicates that traumatic experiences don't just happen to some people; they happen to most people. In the late 1990s, Kaiser Permanente conducted a study on Adverse Childhood Experiences (ACEs). They asked more than 13,000 of their members to complete a 10-question survey on traumatic childhood experiences and to report any health issues they were currently facing.

From this pool of respondents, about two-thirds had at least one ACE. 12% of the population reported an ACE score of 4 or more. An ACE score of 4+ nearly doubles the risk of heart disease and cancer and increases the risk of attempted suicide by twelve times. Understanding that the health impacts of trauma are not a "special population" issue, but a general population issue is critical to our ability to design with empathy.

Artwork: Deborah Cansler, Photo: Chas Metivier

No matter our circumstance, it can be challenging to share details about ourselves that may be perceived as a disability. So, while we can't always ask, we can understand that many of us may have unaddressed environmental needs.

Even neurotypical people, without exposure to trauma, can easily experience cognitive overload in intensely stimulating environments. Activities like commuting, social interactions, processing large amounts of data, being exposed to fragrances, and repetitive auditory disturbances, can impact our mental and emotional resilience in unseen ways. Because of the magnitude of stressors in public life, humans benefit in measurable ways from a restorative home environment. Restoring at home makes us stronger in the workplace and the world at large.

Interior Design: Sarah Barnard, Artwork: Renae Barnard + Ruben Vincent, Photo: Steven DeWall

When designing commercial office environments for clients like National Geographic Entertainment, the Christopher and Dana Reeve Foundation/ Life Rolls On and the National Immigration Law Center, I consider the intersections and overlap of the community members and develop strategies to accommodate the highest possible needs.

Though it is vital to remember, as we have access to an ever-growing body of research that informs our practice of designing spaces that encourage wellbeing, it is nearly impossible to soothe all humans with a single design solution. So, meeting clients where they are and creating a safe, judgment-free dialogue is the first step in designing inclusive, supportive spaces.

Interior Design: Sarah Barnard, Artwork: Jose Ramirez, Photo: Chas Metivier

 In my experience, being mindful and empathetic to diverse sensitivities creates an opportunity to design spaces that inspire a sense of peace. Armed with the understanding that we can't expect anyone to share the details of their pain, nor ask for what they need, designers must consider the most sensitive populations, so more environments feel safe and empowering to all.

 How do we do this?

We must think about an expansion of universal design principles to include physical, mental, and emotional health. For example, we know that biophilic design can reduce physiological and psychological stress. Having a comfortable place to meditate can reduce anxiety, depression, and pain. Exposure to natural light can regulate our circadian rhythms and increase serotonin levels.

Artwork: Ruben Vincent, Photo: Steven DeWall

When access to nature isn't readily available, art is an excellent alternative solution. Viewing original works of art can stimulate the brain, providing an imaginative connection to the mind of the artist and a momentary transcendence into another reality. In 2011 a University of London study found that viewing art produces a similar effect in the brain as falling in love, causing a rush of pleasure producing dopamine.

Just as we consider the positive impacts of nature and art on health and wellbeing, we place equal importance on the selection of materials and how they can shift the feeling, light levels, and acoustic qualities of a space.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

Because truly non-toxic materials are in limited supply, our studio regularly designs textiles, wallpapers, furniture, and light fixtures, working with local craftspeople to fabricate safely and responsibly.

 While we are mindful of avoiding materials with VOCs,  some non-toxic materials like linseed oil, tung oils, and even citrus-based solvents can cause distress to people who are chemically sensitive, people undergoing chemotherapy and people with COPD.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

In 20 years of professional practice, I have learned that empathy and mindfulness are critical in creating healing, supportive environments. Contemplating design strategies that can benefit all populations, is not a trend; it's an evolution in expanding our quality of life.

 Together, we are part of a movement to be mindful, empathetic, and collaborative, supporting one another to make all built environments healing, restorative spaces.

Interior Design: Sarah Barnard, Photo: Steven DeWall

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. With a contemporary approach that employs traditional vocabulary, Barnard’s range of style is innovative yet time-honored. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

How Empathy Creates Extraordinary Experiences: Leaders in Wellness Design Explore Designing for Human Experience

PROGRAM DETAILS

7:30 - 8:00 check-in and breakfast

8:00 - 9:00 presentations and conversation

Why Should You Attend?

Empathy can uncover the deep needs of consumers, students, employees, caregivers. The design world is ideally situated to leverage these profound understandings to build better and healthier products, spaces, solutions. This session will address:

• How do we think about empathy not only as a practice of being but as a practice of doing?

• How do we design products that reflect a broader understanding of human experience in the workplace, healthcare spaces, educational facilities, and more?

• What is empathetic product design and how does it fit with empathetic space design?

• What are some examples of empathy at play in product and space design?

• What are the implications of empathetic design for the future?

---

SPEAKER BIOS

---

---

---

---

VENUE MAP AND PARKING

The Design Center is located in the center left of the map below, in the atrium surrounded by the green numbers 11-15. Free parking is available to the right, at the circled P.

Why a Custom Weighted Blanket may be the Secret to Your Best Sleep Ever

Photo: Steven Dewall

Weighted blankets were the must-have holiday gift of 2018. You couldn't scroll through Instagram without being bombarded with ads for these sensory aids. But weighted blankets aren't exactly new, in fact, home designer Sarah Barnard has been creating custom versions for years.

As a child, she came across a roll of peacock blue mohair fabric in her family's garage that she used to complete a patchwork quilt she was sewing. Little did she know that her father intended to use the luxurious fabric as the upholstery for a 1949 Chevrolet he was restoring.

Although her father was furious, she was ultimately allowed to keep the blanket, which weighed close to 20 pounds. "I found the tremendous weight and enveloping warmth encouraged my body to sleep more peacefully and longer," explains Barnard.

Photos: Scott Van Dyke

These days, she's still creating natural, custom bedding for her clients using designer textiles and stitching techniques taught to her by her father. This expertise allows Barnard to deliver better-designed therapeutic blankets with endless customization options in terms of fullness and weight.

A custom design allows the client to choose the fabric, color, interlining material, and weight. Barnard's team of trusted artisans, handmakes each calm blanket locally and sustainably. Recently, Barnard designed a biophilic primary bedroom suite for a couple who prefer blankets in different weights. Her solution? One large duvet cover with two blanket inserts tucked inside, providing a seamless look that caters to individual needs.

Photo: Chas Metivier

One of Barnard's clients explained that she had been having trouble sleeping for some time and tried sleep aids, teas, and melatonin. She never felt fully rested using these remedies, but when used together with a customized weighted blanket, she experienced notable improvement. 

Photo: Charlie Daniels

Children especially may benefit from the use of a sensory blanket. A study from 2011 published in the Nordic Journal of Psychiatry found that children with ADHD fell asleep faster and awoke fewer times during the night when covered with a weighted blanket. Barnard enjoys designing colorful, custom blankets for the children of her clients. "Involving the child in the selection of the textiles allows them to personalize their environment and surround themselves with things that comfort them the most," she notes.

Barnard's weighted blanket, which she made herself, is fabricated of two heavyweight Schumacher fabrics sewn together sans lining. Even without a traditional interlining, it weighs in at 13 pounds. When the blanket is not in use, it adds contrast and texture to the room — quite unlike the characterless models one can purchase online.

The textiles Barnard used were prewashed and preshrunk to remove any allergens or dust. She chooses to wash her weighted blanket regularly in the washing machine despite the fabric's dry clean only warning. "I accept a rough and tumbled appearance in trade for the ease of maintaining my everyday life," she says. Barnard points out that this is a common request among her clients. "Families want to be able to launder their weighted blankets, so we test each sample to see how it survives the washing machine," she adds.

As mass-produced weighted blankets have risen in popularity, their quality has suffered immensely. Most ready-made options are filled with plastic poly pellets or glass beads. Custom made blankets are most often filled with organic cotton interlining or organic cotton batting in varying lofts to reach the desired weight. Organic wool and organic hemp interlinings are also available. For homeowners who want organic textiles and a natural lifestyle, being able to identify where the materials come from, and how they are made help us to sleep easier at night. 

A wellness-minded interior designer can help create a custom weighted blanket that suits your health needs, and personal style to ensure an even better night's sleep.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. With a contemporary approach that employs traditional vocabulary, Barnard’s range of style is innovative yet time-honored. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

The Power of Wellness Design

Interior Design: Sarah Barnard, Artwork: Renae Barnard + Ruben Vincent, Photo: Steven Dewall

Wellness is not a buzzy topic, but is sure seems like it this year. Forbes declared this year to be the year of the wellness revolution, Vogue called it the new luxury status symbol, and Fast Company highlighted the industry’s $4.2 trillion valuation.

Earlier this summer, Sarah Barnard Design attended a panel discussion on Design x Wellness at the Helms Bakery District. The event was held in conjunction with the LA Design Festival and was moderated by California Interiors Editor-in-Chief Kelly Phillips Badal.

Three panelists, all from various design backgrounds, contributed to the lively back-and-forth, which centered around “achieving a healthy and organized life.” There were a number of takeaways to be gleaned from the discussion, including how organizational systems can combat stress and how proper lighting can improve sleep quality.

The panelists had only 45 minutes to discuss the topic, but a lot more could be said about the wellness movement as it relates to interior design. A holistic approach to wellness home design goes much deeper than organizing and lighting. There are a multitude of things to consider — the paint on the walls, the upholstery of a chair, the artwork on display. “It’s the interconnectivity between all the different elements that makes the space healthy and well,” offers Principal Designer, Sarah Barnard.

Interior Design: Sarah Barnard, Artwork: Karrie Ross, Brian Johnson, Renae Barnard, Photo: Chas Metivier

Skilled interior designers leverage their knowledge of sustainable, non-toxic materials and finishes to craft healthy, personalized spaces for their clients. “For chemically sensitive clients and clients who value organic interiors, most often furnishings and artworks are handmade for them,” says Barnard.

A recent project for a highly-educated, well-traveled client featured the use of bespoke antique reproductions. “It gives us control over the materials, natural finishes, the scale, and it allows us to support the local economy,” says Barnard. Every detail was carefully considered, from the organic linen draperies to the custom designed floor sofa and the handmade, FSC-certified walnut dining table. “These are things a client would never find on their own because they are not sold in stores, and they just can’t be had otherwise.”

Interior Design: Sarah Barnard, Artwork: Milly Ristvedt, Renae Barnard, Abby Sin, Photos: Steven Dewall

For the owners of an oceanfront penthouse, Barnard customized not only the furnishings, but all of the materials and finishes. “In this home, everything is healthy, natural and unadulterated,” notes Barnard. “We used natural waxes instead of stains and sealers, natural latex foams, organic cotton batting, and organic wool batting that was spun from sheep that are only shorn in summer.”

The clients selected the colors of the natural fibers artist Renae Barnard used to create a hand-woven sculpture for their home office. Crafted from wire, sash cord, cotton clothesline, wool, yarn, fleece and linen, it’s a truly one-of-a-kind piece that doesn’t compromise the chemical-free integrity of the home. “It’s very much of them, for them,” says Barnard.

Art, in particular, contributes to our overall sense of well-being. “It stimulates your mind in the same way as the natural world,” adds Barnard. One study from the University of London found that viewing art produces the same effect in the brain as falling in love, causing a rush of dopamine, a.k.a. the “feel-good hormone.” Another from Drexel University revealed that making and viewing art can lower cortisol levels, the hormone linked to the body's stress response. “When we can provide views of nature, that’s the first choice. But in any instance where we have a blank wall and not a window, then the next best thing to have is art. It makes us happier,” explains Barnard.

Wellness is often touted as a trend by lifestyle magazines and social media influencers, but for Barnard, it’s the ethos of her interior design practice. “Our clients know better and they choose healthy,” she says. Organic textiles, sustainable materials, non-toxic finishes, inspiring artwork, bespoke furniture made by local craftspeople — all of these elements support our mental and physical well-being. And designers with robust knowledge of healthy home design have the power to change lives for the better.

Sarah Barnard, WELL AP + LEED AP designs healthy, happy, personalized spaces that are deeply connected to nature and art. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

Barnard has been featured in publications internationally and was named a “Ones to Watch Scholar” by the American Society of Interior Designers. In 2018 Locale Magazine named Barnard “Los Angeles’ Favorite Interior Designer”. Barnard holds a Master of Fine Arts degree from Claremont Graduate University as well as undergraduate degrees in Art and Interior Architectural Design.

For more information about Sarah Barnard visit www.sarahbarnard.com

Meet the Bedroom that Feels Like a Hug

Award-winning Interior Designer and American Society of Interior Designers (ASID) Ones to Watch Scholar Sarah Barnard has unveiled a happiness-inducing home design project— the bedroom that feels like a hug.

“We need a safe, restorative space to help our bodies rest and recharge,” says Barnard. A hug has many of the same characteristics, it makes us feel secure and comforted, and when we let go of the embrace, there’s a rush of oxytocin that leaves us with a sense of lightness.

Oxytocin is a neurotransmitter that acts on the brain’s emotional center, promoting feelings of contentment, reducing anxiety and stress. When you hug often, your level of oxytocin increases, which strengthens social bonds. Hugging also stimulates dopamine and serotonin production in the body. Dopamine is a pleasure hormone that’s part of the brain’s reward mechanism, while serotonin is responsible for maintaining mood balance.

The jumping-off point for the bedroom was the curvilinear bed frame, an award-winning design by Autoban, carved from American black walnut. Its silhouette mimics the action of hugging, and the interior is lined with purple velvet, blending the natural texture with dark, feminine styling. To further the feeling of intimacy, Barnard chose a non-toxic, king-size organic coconut mattress topped with a reversible duvet in a custom, color-blocking scheme.

The word ‘phantasmagoria’ is scrawled across the wall behind the bed — a neon homage to the images that flicker by in our dreams. The client, a self-proclaimed bookworm, chose the word herself after much deliberation. High-pile black carpeting delivers a softness underfoot, and layered window treatments allow the client to sleep undisturbed in total darkness. “Window coverings serve many purposes,” says Barnard. “Not only do they block out sunlight and create privacy, but they add a decorative element to the room that unifies the composition.”

The two-tone wall color, a marriage of plum and lavender, envelops the space. These hues were intentionally chosen to saturate the formerly bright bedroom, establishing a cozy, cocoon-like atmosphere. “The ceiling color extends to the walls, linking the two colors together in a way that the sharp ceiling line never could,” explains Barnard.

Hanging above the bespoke American Walnut nightstands are a pair of cloud-like pendant lights that emit a soft glow. A wall of concealed storage eliminates visual clutter, which can heighten our anxiety levels and impact sleep quality. Upholstered benches at the foot of the bed and by the entryway provide a comfortable spot to rest or dress in the morning.

It was the client who initially requested the space “feel like a hug,” which Barnard describes as a “brilliant explanation of what good bedroom design should do.” The revamped primary bedroom, a physical embodiment of a hug, provides all the comfort, safety, and well-being her client needs to settle into a restful slumber and wake up feeling warm and fuzzy.

See the rest of this home here Featured in LA Dreams Magazine

Unpacking the “KonMari” trend: The personalization of ultra-home organizing

A tidy, minimalist kitchen in with open shelving to keep cookbooks close at hand.

Before Marie Kondo, there was William Morris, a renowned 19th-century British designer who lived by this philosophy: “Have nothing in your house that you do not know to be useful or believe to be beautiful.”

Kondo has a more stringent and less personalized approach. She encourages followers of her KonMari method to grasp each item in their hands and evaluate their body’s reaction to it. If it makes you feel uplifted, put it in the keep pile. If it causes you to feel weighed down, in the donation bin it goes. But here’s the thing — there’s no one-size-fits-all organizing method. Whether you prefer a pragmatic approach à la William Morris or Kondo’s emotionally-guided decision-making process, figuring out what works for you and your lifestyle is paramount.

Floating shelves provide vertical storage in this compact home office featuring an impressive view of the shoreline.

“The method of organization should support the client’s daily routine and activities,” says interior designer Sarah Barnard, who specializes in healthy, happy, personalized spaces. “What items do they use most regularly? How do they envision the space? Having a clear goal will start to inform the plan.”

Barnard provides organizing services for clients in every stage of life, from young professionals with little spare time to retirees with reduced mobility. “One of the main reasons people ask for our help is because they are overwhelmed and don’t know where to start,” explains Sarah. “Our goal is to streamline the process by setting up personalized systems that can be easily maintained.”

A tidy studio bookcase keeps favorite books close at hand. A painting by Abby Sin, sculpture, ceramics and antiques lighten and brighten the display.

Sarah recently tackled a two-week-long organizing project for a busy family of five. Recognizing that the experience can be quite invasive, Sarah and her team went to great lengths to ensure the family felt comfortable. Shoe covers were worn to prevent anyone from tracking in allergens, and cotton gloves were required when handling any personal items.

Very possibly the best boys' bedroom ever! Newly built walls allow for custom-made American walnut bunk beds and floating desks for each boy.

Clearing away unnecessary clutter was the family’s aim, and Sarah’s team employed the ‘keep, toss, donate’ method to get it all done. “We sorted our client’s clothing by season, removing the winter wear and storing it in the hallway closet,” says Sarah. “Now, primary closets contain only half the amount of items, making them more spacious and easier to navigate.”

Personalized tools for staying organized! Each boy's desk includes a utility wall with a chalkboard, pin board, metal panel for magnets and wipe off board calendar.

In addition to freeing up closet space in the home, Sarah Barnard Design took on the organizing of a child’s craft room. “The client’s youngest son had received arts and craft gifts for each holiday of his young life,” notes Sarah. “This resulted in a wonderful collection, but also a lot of bits and pieces— to the point where the craft room was largely unusable.” The team carefully combed through his many art supplies, donating lesser-used items to create space for the most cherished ones.

An articulating desk lamp adds a pop of aqua to the teen girl's study area.

Once an organizing project is complete, Sarah’s clients have a renewed sense of self. Decluttering is a lifestyle change, but the benefits are well worth the effort. “It often inspires a newfound appreciation for their possessions and increased productivity in the space,” says Sarah.

A creative space with a custom sofa in wool felt, side tables made of natural maple and steel and a desk chair designed by Mauro Lipparini. Sculpture by Renae Barnard.

Adopting a personalized approach to organizing will spark far more joy than bingeing an eight-part Netflix series and assuming your tidying habits will change through osmosis. Decluttering is hard, both physically and emotionally — it’s not something that comes naturally to most people. Seeking professional organizing help is an investment in yourself, saving you time, energy, and unnecessary stress. And hiring an expert to create customized systems that fit your lifestyle will help you stay organized in the long-term — no self-help books required.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall and Chas Metivier

“Scandifornian” design goes coastal

Scandinavia and California don’t have much in common (the weather, for starters) but when it comes to home design, these two regions have strikingly similar taste. This is exemplified through the use of neutral color palettes, natural fibers, sustainably-sourced wood, and intentional accessories in both decorating styles. 

Interior designer Sarah Barnard recently renovated a 3,600-square-foot family home, not far from the bluffs that overlook the Pacific Ocean. Although the home was originally constructed in 1949, its revamped aesthetic is best described as ‘Scandifornian.’

The beachy blue and white exterior hints at what’s to come once you step inside. Distressed red brick forms a path to the entryway, which is framed by carved wood corbels that are original to the house. The foyer alcove includes a live edge wood table and a curated collection of seashells and minerals, blending organic elements with simple, clean lines.

Featuring handmade, live edge tables made by a local artisan.

But what instantly captures your attention is the light-drenched living room, featuring a vaulted ceiling with exposed wood beams. “The original bones of the house were excellent,” explains Sarah. A custom concrete fireplace designed by Sarah runs nearly the entire length of the wall. It’s boxy, modern shape is tempered by irregularly etched lines that “mimic the movement of the nearby sea.” 

The lightly-finished hardwood flooring, all natural, non-toxic sofa, shaggy wool floor cushion and wheel-thrown ceramics exude laid-back, Scandifornia style. Here, the aesthetic is minimal, but never cold or uninviting. Taking a seat on the floor is encouraged and each decorative object or family photo has a story behind it. 

A fine artist herself, Sarah collaborated with a trusted woodworker to create the living room wall sconces, carved from American Walnut. “The organic forms and natural finishes match perfectly with the coastal ambiance of the space,” notes Sarah. 

To build these custom creations, Sarah delivered sketches and sculptural models to the woodworker to convey her ideas. The prototype was referenced throughout the fabrication process to ensure accuracy, resulting in one-of-a-kind fixtures that serve as functional works of art. 

Natural dining chairs by the Cherner Chair Company have a slim silhouette.

The dining room was “designed to feel soft and light,” with a neutral color palette, elongated dining table, natural dining chairs and a chandelier that appears to be floating in mid-air. The fireplace surround is yet another of Sarah’s custom designs. “I chose tile glazed in brilliant blue to create an updated linear pattern neatly framed by a custom concrete mantle,” she adds.

Sarah once again worked alongside a local artisan to produce the orb-like sconces that brighten up the space. “I often take formal inspiration from the home's location and reinterpret that within the space,” explains Sarah, who used the home’s coastal locale as the jumping off point. She handcrafted a number of small ceramic prototypes for the client to review before agreeing on the current iteration.

The kitchen expertly combines old and new. “There is an exposed brick fireplace that remains a decorative element in the new kitchen,” says Sarah. “We wrestled with the idea of preserving or upgrading the original red brick. We collectively decided to keep it — in the kitchen only — as a homage to the architect’s original intent.” The light blue cabinet doors feature subtle detailing and the quartz countertops are flecked with real seashells. The office nook is the perfect spot to search for a new recipe or respond to emails, while the adjacent pantry offers plenty of storage and a stainless steel French-door refrigerator.

The ground floor is rounded out by a serene guest bathroom with a custom floating vanity, matching wood-framed mirror, and a vessel sink that sits atop an onyx countertop. Although the space consists of mostly hard surfaces, it is warmed up through the use of light wood tones, soft lighting and texture-rich pebble flooring. 

A handmade table by a local artisan anchors the space between the living room and dining room.

The California and Scandinavian home decorating styles share many of the same values, most notably an appreciation of natural beauty and fine craftsmanship. Throughout this project, Sarah worked side-by-side with local artisans and craftspeople to realize her custom furnishings and lighting designs. “Unique handmade objects bring authenticity and personalization to a home,” says Sarah. The finished product masterfully combines coastal California influences with the simplistic forms and function of Scandinavian home design.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall and Chas Metivier

Three trailblazing queer women who shaped design history

At the Moulin-Rouges, Two Women Waltzing By Henri de Toulouse-Lautrec. Works from the National Gallery in Prague. Photo by: Jan Sedlák, Henri de Toulouse-Lautrec, Odeon, Praha 1985. Public Domain.

Today and every day, we celebrate the pioneering queer women who helped to shape the interior design industry. The erasure of women — particularly queer women — from history is a troubling phenomenon and underscores the importance of sharing the stories of these lesbian and bisexual women who left their mark on design.

Interior of Elsie De Wolfe' music pavilion looking out on to the pool, The Villa Trianon , rendered by William Bruce Ellis Ranken (1881-1941). Public Domain.

Elsie de Wolfe, c. 1880.

By Unknown. Public Domain.

1. Elsie de Wolfe

Elsie de Wolfe is the OG of interior decorating. Born in 1859, she began her career as an actress, which earned her fame and influence among the high society crowd. Realizing she had more of a knack for set design than acting, de Wolfe transitioned into interior decorating — a profession that didn't even exist at the time. Her well-heeled clientèle included Henry Clay Frick, Amy Vanderbilt, Cole Porter, Wallis Simpson, and George Bernard Shaw.

She disapproved of over-designed Victorian interiors, preferring instead to remove clutter and simplify spaces to make entertaining easier. De Wolfe's aesthetic could be described as colorful, airy, and opulent. "I opened the doors and windows of America, and let the air and sunshine in," she once said of her legacy.

She drew much of her inspiration from 18th-century French design, introducing pale paint colors, exotic animal prints, wicker furniture, nature motifs, and strategically placed mirrors into her projects.

De Wolfe's personal life was equally as colorful: she enjoyed a so-called "Boston marriage," living openly and happily with her lover, Elisabeth "Bessie" Marbury, a successful theatrical and literary agent. Their relationship spanned 40 years, and together, the couple renovated several homes in Manhattan and the 'Villa Trianon,' a French estate outside of Versailles. De Wolfe and Marbury continued their relationship until Marbury passed away in 1933, naming de Wolfe as her sole heir.

Portrait of Miss May Morris, Portraits of many persons of note photographed by Frederick Hollyer, Vol. 3, platinum print, late 19th century. Victoria and Albert Museum, London, museum no. 7821-1938. Public Domain.

2. Mary 'May' Morris

Living in the shadow of her famous father, William Morris, Mary 'May' Morris never got the recognition she deserved as a textile designer. The family business, Morris & Co., created printed fabrics and wallpaper, stained glass and artful embroidery — many of their iconic designs are still treasured today, and distributed by the Sanderson brand.

May was a true talent — designing wallpaper, editing her father's poems, and heading up the embroidery department of Morris & Co. at the ripe old age of 23. She was a staunch feminist and socialist, and co-founded the Women's Guild of Arts in 1907, dismayed by the fact that the Art Workers Guild prohibited women from joining their ranks.

She was also a lesbian and lived with her partner, Mary Lobb, in a historic manor house in West Oxfordshire, England for more than twenty years. Lobb was initially brought on by May to work as the 'female gardener' at Kelmscott Manor, but the two struck up a close relationship, and Lobb was invited to move in. The couple was fond of camping in the countryside and visited Iceland together several times. May Morris died in October 1938, and Mary Lobb passed away just five months later in March 1938.

Wallpaper Design. Attributed to William Morris. c. 1881. Photo by Unknown. Public Domain.

Portrait of Eileen Gray. c. 1910. By Unknown. Public Domain.

Table E.1027, Design by Eileen Gray (1878-1976). Public Domain.

3. Eileen Gray

The creations of modernist hero Eileen Gray look just as in vogue today as they did in the 1920s and 30s when she designed them. The Irish-born architect and furniture designer opened up a gallery in 1922 along Rue du Faubourg Saint-Honoré in Paris where she sold her pieces.

Her skills were numerous and her style was ever-evolving. Gray was a sought-after interior designer and self-taught architect. Some of her famous works include the often imitated adjustable table E 1027, the tubular Bibendum chair, and E-1027, a modernist-masterpiece-slash-vacation-home on the Côte d'Azur in the South of France.

Gray had many relationships with both men and women. In Paris during the 1920s, she ran with a crowd of celesbian artists and became the lover of the French singer, Damia. Allegedly, the two were fond of driving around the city in a Chenard-Walcker with Damia's pet panther sitting in the back seat — how casual!

Gray's legacy was nearly erased from the history books but has since been revived with the release of two films about her remarkable life. Her ex-boyfriend and fellow architect, Jean Badovici, was often falsely credited for the design of E.1027, although she had designed it for him as a sort of modernist love shack. Thankfully, her work has not been forgotten, and the formerly derelict E.1027 is now a museum that's open to visitors.

The legacies of these three queer women live on through their work. So the next time you spot an adjustable table E.1027 replica, transform a dark, dreary room with a gallon of white paint, or wallpaper your powder room in a Morris print, think of these fearless creatives who helped shape the interior design industry into what it is today.

Sarah Barnard designs healthy, happy, and personalized spaces that are deeply connected to nature and art. To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Russian writer Zinaida Gippius (Зинаида Николаевна Гиппиус, 1869-1945), by Léon Bakst (1906). Public Domain.

Why outdoor living spaces are right for your health, and how to design yours to perfection.

Hand printed outdoor textiles highlight the weathered teak furnishings and compliment the pool tile. Photo by Renae Barnard.

The Environmental Protection Agency estimates that the average American spends 87 percent of their time indoors. We put considerable effort into designing the interiors of our homes, with little regard for the outdoor spaces.

"No matter where you are or how large your outdoor space, you can benefit from a daily connection with nature," says sustainable interior designer Sarah Barnard. Want to spend more time outdoors this summer? Rethinking your balcony, garden, or terrace is an excellent place to start. Here are a couple of reasons why outdoor living equates to a healthy life.

It benefits your mental and physical health.

Imagine stepping out onto your front porch with a cup of tea in hand, feeling the morning sun on your skin. Sounds nice, right? Moderate sun exposure does the body good — refreshing our circadian rhythms, lowering cortisol levels and blood pressure, and improving concentration. Sarah's morning routine includes a stroll through the garden with her miniature poodle, Lucy, in tow. "It allows me to start the day cheerful, grateful and breathing fresh air," she explains.

A glorious guest cottage inspired by Cape Cod and flattered by painstaking attention to detail. Photo by Renae Barnard.

It encourages us to spend more time with our loved ones.

We get it — planning and hosting an event is stressful. Even if you burn the hors d' oeuvres to a crisp, run out of red wine, or forget to bring out the on-theme cocktail napkins, it's always worth it in the end, isn't it? A Mayo Clinic study shows that socializing with your closest friends and family improves your overall sense of well-being and purpose.

And since summer is the time for alfresco entertaining, what could be better than celebrating the season in your beautifully designed outdoor space, surrounded by your nearest and dearest? Thanks to improvements in technology and design, outdoor furniture and decor have come a long way (see ya, fold-up camping chairs). Today, our outdoor living spaces can be just as comfortable and luxurious as our indoor spaces.

Fresh and fun colors come to life in the open air media room. The locally made sectional sofa was designed to fit the homeowner’s specific desires: all natural & non-toxic materials, handmade in California. Photo by Steven Dewall.

Now that we've established why you should be spending more time outdoors allow us to explain how to do it in style. When designing an outdoor living space, Sarah advises her clients first to select a focal point. "Is it a beautiful tree? A softly trickling fountain? An impressive outdoor kitchen? The elements that you choose to dominate the space physically and visually influence its overall feeling and mood" says Sarah.

Mimic your interior spaces outdoors.

We're not suggesting you expose your vintage leather sofa to the elements, but integrating pieces that create a feeling of coziness — like a knit throw or an outdoor fireplace — will make chilly evenings more enjoyable. During the daytime when the summer sun is beating down, you'll want to add shade through the use of a modern pergola, permanent roof, shade sail or patio umbrella. And avid home cooks may consider investing in a fully-equipped outdoor kitchen, complete with a gas grill, pizza oven, prep sink, storage cabinets, counter space and a compact refrigerator (you know, for all the rosé you'll be drinking this summer).

The cozy patio pairs luxurious outdoor tiles with Chinese artisan pottery to create a quiet retreat. Photo by Charlie Daniels.

When in doubt, hire a designer

"Even creative people find it difficult to craft a beautiful, functional and healthy home that adequately reflects their uniqueness," notes Sarah. When laying out your design plans for a courtyard or veranda, hiring an experienced designer is the first step. Not only does an expert have access to a broader selection of custom outdoor furnishings and fabrics, but they can also ensure the final product will be flawless. "Your interior designer has a vested interest in the success of your project being completed to the highest caliber and can be an invaluable asset when dealing with vendors and contractors," adds Sarah.  

This stylish patio showcases handmade roman shades attach to a custom wood enclosure for privacy and shade. Photo by Steven Dewall.

A designer will create a multi-functional outdoor space with your preferences and goals in mind. They're able to conceptualize the big picture and execute every detail with precision. It's time to unlock the untapped potential of your seldom-visited balcony, courtyard, or terrace. Whether you crave a secret garden or a lively space to entertain, a designer can turn your idea into a reality. "Your home should enhance your lifestyle and express your uniqueness," says Sarah. "My work is centered on health and happiness — anything we can do to help our clients live better, we will."

Sarah Barnard designs healthy, happy, and personalized spaces that are deeply connected to nature and art. To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

A natural teak wood ball fashioned into a rugged side table pairs with a weathered teak armchair and lightweight pottery. Photo by Steven Dewall.

Sneak Preview: Pasadena Showcase House for the Arts 2019

The Boddy House built in 1937 by architect James Dolena at the Descanso Gardens.

On April 16th, Pasadena Showcase House for the Arts (PSHA) opened its 2019 Design Showcase House for an exclusive press-only preview. As a notable interior design firm and social media influencer, Sarah Barnard Design was invited to attend the press viewing and capture a sneak peek of the house, which opens later this month. While the select group of visitors was allowed to take photos, no guests will be allowed to take pictures or use cell phones once the event officially opens.

This year’s design showcase location is the historic Boddy House on the grounds of the beautiful Descanso Gardens. Notable Los Angeles architect James E. Dolena designed the home in 1937 in his trademark Hollywood Regency Style for E. Manchester Boddy, owner of the former Los Angeles Illustrated Daily News and founder of the Descanso Gardens. Now owned by the Los Angeles County and considered a house museum, Pasadena Showcase House for the Arts selected the Boddy House to be transformed by interior designers for the 43rd annual showcase event.

View fullsize

View fullsize

View fullsize

View fullsize

Each designer was assigned a room of this bi-level garden estate to makeover resulting in the complete rehabilitation of the historic property. Hearkening back to the Hollywood’s “Golden Era” the designers offer a contemporary reinterpretation of the original Hollywood Regency Style abound with opulent detail, vibrant patterns, and bold color schemes. Botanical inspiration abounds as lush gardens surround the property in the full bloom of Spring. Floral wallpapers, nature-inspired furnishings, and organic sculptures bring new life to the home.

View fullsize

View fullsize

View fullsize

View fullsize

The Boddy House will be open from April 21st to May 19th, 2019. Tickets can be purchased in advance online at http://pasadenashowcase.org/

Pasadena Showcase House for the Arts, a non-profit, all-volunteer organization, runs this showcase house as a fundraiser for their charity work and welcomes nearly 25,000 visitors each year. All money raised from this event will support local music programs. Designers from all over California come to take part in the making of this project to benefit the community. See this year’s crop of designers, who generously donated their time and expertise, here.

View fullsize

View fullsize

View fullsize

View fullsize

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

2018 Showcase Archive

Photos by Abby Siniscal

Superbloom: Happy Healthy Interiors Inspired by Nature

Happy spring! A “super bloom” has popped up all over California in the past few weeks, a result of a record-breaking amount of rain this past Winter season. Bright orange poppies, desert lilies, yellow and white evening primrose, and pink Bigelow monkey flower, are some of the flowers blossoming in considerable numbers to the delight of hikers, tourists, and nature-lovers throughout California. The super bloom has people flocking to parks such as Walker Canyon in Lake Elsinore, Near Desert Lily Sanctuary, and Diamond Valley Lake.

Close up of a wild poppy.

Flowers blooming in the Anza-Borrego Desert State Park

Los-Feliz-local Sarah Barnard, interior designer, WELL AP, LEED AP, keeps her own wildflower garden, where she planted a variety of poppies from seeds and is experiencing her super bloom. “The colors and textures that come with each season are delightful and inspiring,” said Barnard. “I grow a wide variety of fruits and vegetables, (carrots, radishes, beans, tomatoes, cucumbers, peppers of all kinds, cantaloupe, lemons limes, avocado, lettuces & herbs) as well as cactus, succulents, and flowering/ornamental plants.”

Barnard recently took time to visit Griffith Park, Antelope Valley Poppy Reserve, and Anza Borrego State Park to see the super bloom herself. Sarah, who specializes in interior design that contributes to her client’s health and wellness, and strives to make nature a part of each home she creates, shared photos of her recent trips.

“This year’s superbloom is a colorful reminder that nature informs life and design,” Barnard said. Incorporating this principle into the design of your home is one way to contribute to your happiness and health. The study of the effect of nature in design on our health is called Biophilia, and we have previously written about this phenomenon.

One way to bring this happy and healthy nature into your home design is to incorporate natural and organic forms, which are visually pleasing and encourage our connection to the outdoors. Selecting art, lighting or furniture for your home that resembles natural forms is one way to make an inviting and exciting space. Art and shapes inspired by nature could mean a light fixture that looks like a plant or a sculpture that looks like an animal.

Fresh flowers and bright pink leather reminiscent of wildflowers create a warm and inviting dining nook.

Cheerful coral pink tile pairs beautifully with flowers.

Sarah Barnard is a strong advocate of having nature incorporated directly into a space as well. Add your favorite flowers, succulents, and ferns. “In my home, I keep a healthy variety of plants: bromeliads, tillandsia, monstera, and ferns are among my favorites. Having this connection to nature makes my home feel lush and light.”

Using natural materials, aside from being beautiful and adding diverse texture to space, is also an excellent way to contribute to mental and physical well being. Having materials like wood, cotton, and glass rather than plastic and vinyl will avoid toxic off-gassing.

This dining room features fresh flowers, bright colors, and natural wood tones.

This colorful palette was inspired by flowers.

Fresh flowers add life and warmth to a contemporary space.

To battle the stresses of everyday life, you can use mindful home design practices to create open spaces connected with the environment, plant-life, and the seasons. Barnard reminds, "Our surroundings deeply and immediately impact our mental, physical, and emotional health. A visual connection with the outdoors can improve mood and productivity, and what we bring into a home or space (finishes, furniture, artwork) determines both the quality of the air we breathe and how we function in our daily lives." The flower fields make great inspiration for such a space, with their bright colors, gorgeous views, and fresh air.

There is energy, beauty, and vitality in wildflowers. Spring is the perfect time to find inspiration from flower fields and create a connection to the outdoors. You can do this by beginning a garden, using interior design to personalize your home or office, meaningfully incorporating plants, natural light, and elements inspired by nature. Choose natural materials like wood, cotton, and linen, and take inspiration from this season's super bloom by using bold and bright colors. As more of us make our careers our focus, nature and design are imperative to promote calmness, serenity and healthy living.

And when in doubt, go hiking!

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall, Abby Siniscal, Chas Metivier

Pantone’s Color of the Year: Living Coral

The family cat is the primary resident of this guest suite featuring a pink and coral color scheme.

Coral reefs are disappearing from our oceans at an alarming rate. It is imperative to the ocean’s ecosystems, and as much as a quarter of all ocean species depend upon it for food and shelter. Precious marine lifeforms are also the inspiration for Pantone’s color of the year: Living Coral.

Coral and lush greens create a lively and inviting atmosphere for an outside space.

Sarah Barnard, a Los Angeles-based interior designer, WELL AP and LEED AP, specializes in home design that contributes to her client’s health and wellness and strives to make nature a part of each home she creates. “A happy and uplifting color reminiscent of the ocean is the perfect starting point for a happy, healthy home.”

Coral colored tiles and beautiful glossy stone slabs make this coastal bathroom warm and bright.

This color takes its name from the beautiful coral marine invertebrates that build extensive coral reefs, habitats for a vast diversity of life in the ocean. Sometimes referred to as the "rainforests of the sea," coral reefs are quickly dying, and are projected to reduce to 10% by 2050. Half of the world's coral has died since 2016, due to rising sea temperatures, pollution, destructive fishing, invasive species, and changing sea chemistry.

"The timely selection of this color by Pantone should be an important reminder to all of us that nature inspires beautiful interiors. If we aren't careful to preserve the natural world, we will have nothing left to take inspiration from," said Barnard.

Coral naturally complements with blues and ocean tones. Coral embroidery was a perfect companion (complement?) for a throw pillow in a coastal home.

Pantone is most widely known for their color swatch books. It is the company responsible for color matching paints and graphics; and now devotes the time and resources of Pantone Color Institute to research the purchasing trends of various industries. With this information, Pantone determines this year's color. The naming process regularly pulls inspiration from the natural and human-made world, naming colors such as "rose quartz" or "millennial pink." Pantone's color of the year for 2018 was ultraviolet, a beautiful, energizing shade of purple reminiscent of bright flowers and the sky at sunset. This year's choice is PANTONE 16-1546 Living Coral, a potent reminder to preserve and protect ocean life.

Coral colored ceramic provides earthy contrast against the ebonized table and black lamp.

Coral is vibrant, cheerful, delicate and energizing, and the perfect shade to start the New Year. Living coral, described by the Pantone team as “An animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge.”

The bath and shower feature locally sourced handmade ceramic tiles in a coral gloss.

Pantone published, “Vibrant, yet mellow PANTONE 16-1546 Living Coral embraces us with warmth and nourishment to provide comfort and buoyancy in our continually shifting environment. [...] Representing the fusion of modern life, PANTONE Living Coral is a nurturing color that appears in our natural surroundings and at the same time, displays a lively presence within social media.”

Coral and pink shades blend beautifully with wood tones. Art is a subtle and seamless way to introduce colors like coral.

While top interior designers don’t necessarily recommend painting one’s home to match the color of the year, art, accents, and of course plants are an easy and safe way to introduce vibrancy to your living or work space through home decorating.

Pinks and coral create an inviting atmosphere.

For those interested in using Living Color in their home, Sarah Barnard said,  "Living Coral is a perfect complement to blue shades, and pairs well with coastal or beachy interiors. For the daring, reupholstering a treasured piece in a bright color like Living Coral can revitalize a space. For those who prefer to mix pops of color with neutrals, I recommend starting with small accents."

Pantone's Color of the Year is an excellent opportunity to add lively, earth-focused tones to your home. Make having a happy and healthy home your New Year's resolution.

Cream and coral ceramic jars are a perfect storage solution for bathroom necessities.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Abby Siniscal, Chas Metivier, and Charlie Daniels